From: Reviews and Criticism of Vietnam War Theatrical and Television... (

From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas
(http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm)
compiled by John K. McAskill, La Salle University ([email protected])
N2780 NASHVILLE (USA, 1975)
Credits: director, Robert Altman ; writer, Joan Tewkesbury.
Cast: David Arkin, Barbara Baxley, Ned Beatty, Karen Black, Keith Carradine.
Summary: Musical melodrama set in contemporary Tennessee. Interweaves the
stories of 24 characters during 5 days in the capital of country music. Greed,
politics, sex, and everything wrong with America in the 1970s is illustrated
through country music and a political rally. Identified as a Vietnam film by
Lanning in Vietnam at the movies. PFC Glenn Kelly (Scott Glenn) is a
Vietnam vet
Abrahams, Steven. “‘Nashville’: Buying Nashville” Jump cut 9 (Oct-Dec 1975), p. 78.
Allen, Susan Dudley. “In praise of ‘Rollerball’” New York times 124 (Jul 13, 1975),
sec. 2, p. 11.
Alpert, Hollis. “The homecoming of Barbara Jean” Saturday review 2 (Jun 28, 1975),
p. 40-41.
Anderson, Patrick. “The real Nashville” New York times magazine (Aug 31, 1975),
p. 42.
Baker, Charles A. “Illusion and reality in ‘Nashville’” Studies in the humanities 10/2
(1983), p. 93-8.
Barnes, Clive. “The great American profile” Times (London) (Jun 21, 1975), p. 11.
Behar, Henri. “Nashville” Revue du cinema 301 (Dec 1975), p. 97-8.
Belmans, Jacques. “Pour bientot de Robert Altman” Amis du film et de la television
236 (Jan 1976), p. 18-19.
Benayoun, Robert. “Altman U.S.A.” Positif 176 (Dec 1975), p. 30-37.
Bendtsen, Tove. “Kvinnans plats” Chaplin 22/2 [167] (1980), p. 68-73.
Bisplinghoff, Gretchen (see under Wexman, Virginia Wright)
Blaedel, Michael. “Nashville” Kosmorama 22/131 (1976), p. 207-9.
Blake, Robert A. “Movies and myths of America” America 133 (Aug 16, 1975), p.
70-73.
Bourget, Jean Loup. Robert Altman Paris : Edilig, 1980.
Bowles, Stephen E. “‘Cabaret’ and ‘Nashville’: The musical as social comment”
Journal of popular culture 12/3 (1978/79), p. 550-56.
Braucourt, Guy. “Nashville” Ecran 42 (Dec 1975), p. 50-51.
Braudy, Leo (see under Kolker, Robert Phillip)
Braudy, Susan. “Film: The woman behind ‘Nashville’” MS 4 (Jul 1975), p. 22+
Brudnoy, David. “Film: Their town” National review 27 (Aug 15, 1975), p. 890.
Byrne, Connie and Lopez, William O. “Nashville” Film quarterly 29/2 (1976), p. 1325.
Canby, Vincent. “‘Nashville’: Dark perceptions in a country-music comedy” New
York times 124 (Jun 15, 1975), sec. 2, p. 1, 17.
____________. “‘Nashville’: Lively film of many parts” New York times 124 (Jun
12, 1975), p. 32.
Cardullo, Bert (Robert J.) “The space in the distance: A study of Altman’s
‘Nashville’” Literature/film quarterly 4/4 (autumn 1976), p. 313-24.
[Reprinted in his Indelible images : new perspectives on classic films
Lanham, MD : Univ. Press of America, 1987. (p. 223-50)]
Castell, David. “Nashville” Films illustrated 5 (Oct 1975), p. 44.
Christensen, Terry. Reel politics : American political movies from Birth of a nation
to Platoon [GB] (p. 143-4, 147)
Ciment, Michel. “Jouer avec Altman: Rencontres avec Ronee Blakley et Keith
Carradine” Positif 176 (Dec 1975), p. 45-9.
Cocks, Jay. “From the heartland” Time 105 (Jun 16, 1975), p. 67-8.
Coleman, John. “Films: Easy” New statesman 90 (Sep 19, 1975), p. 343-4.
Colpart, Gilles. “Nashville” Telecine 210 (Jul/Aug 1976), p. 26-7.
Combs, Richard. “Real lives” Listener 114/2923 (Aug 22, 1985), p. 32-3.
Comuzio, Ermanno. “Una canzone-azione in ‘Nashville’ di Robert Altman”
Quaderni di cinema 9/43 (May/Aug 1989), p. 3-19.
Considine, Shaun. “Hollywood can sing country just like Nashville” New York times
124 (Aug 24, 1975), sec. 2, p. 13.
Cook, David A.. Lost illusions : American cinema in the shadow of Watergate and
Vietnam, 1970-1979 New York : Scribner’s, 1999. (p. 94-6+)
Crist, Judith. “That Altman feller is playin’ our song” New York 8 (Jun 9, 1975), p.
70, 72, 74.
“Critics’ laurels vs. public support: ‘Nashville’ into 300 situations” Variety 281 (Jan
14, 1976), p. 30.
De Bernardinis, Flavio. Robert Altman 2nd ed. Roma : Il Castoro, 1995.
Deglin, Paul. “Nashville” Cine revue 55 (Nov 20, 1975), p. 13.
DeMott, Benjamin. “Culture watch: Superflick” Atlantic 236 (Oct 1975), p. 101-2.
“Dialogue on film: Ned Beatty” American film 6/3 (Dec 1980), p. 53-9.
“Dialogue on film: Robert Altman” American film 4/5 (Feb 1975), 24 p.
Dick, Bernard. Anatomy of a film New York : St. Martin’s Press, 1978. (p. 49-51)
Di Piero, W. S. “Wish and power: Recent Altman” Chicago review 30/1 (summer
1978), p. 34-51.
Edgerton, Gary. “Capra and Altman: Mythmaker and mythologist” Literature/film
quarterly 11/1 (1983), p. 28-35.
Elia, Maurice. “Nashville” Sequences 82 (Oct 1975), p. 157-9.
Elsaesser, Thomas. “‘Nashville’: Putting on the show” Persistence of vision 1
(summer 1984), p. 93-8.
_______________. “Ou finit le spectacle? ... La propos de ‘Nashville’” Positif 197
(Sep 1977), p. 23-7.
Erens, Patricia (see under Wexman, Virginia Wright)
Farber, Stephen. “Altman in music city” Artforum 14 (Nov 1975), p. 66-70.
____________. “LA journal” Film comment 11 (Sep/Oct 1975), p. 2+
Feineman, Neil. Persistence of vision: the films of Robert Altman New York : Arno,
1978.
Feuer, Jane. “‘Nashville’: Altman’s open surface” Jump cut 10-11 (summer 1976), p.
31-2.
Fieschi, Jacques. “Nashville” Cinematographe 16 (Dec 1975-Jan 1976), p. 34-5.
“Film critics award ‘Nashville” 4 prizes” New York times 124 (Dec 30, 1975), p. 15.
Fink, Guido. I film di Robert Altman Rome : Gremese, 1982.
Fleck, Patrice Michele. Robert Altman’s Nashville : a study of fraud in America
Thesis (M.A.)—Northern Illinois University, 1985.
Fremer, Bjorn. “Nashville” Chaplin 17/6 [141] (1975), p. 276-7.
Fremont Smith, Eliot. “Making book” Village voice 20 (Aug 11, 1975), p. 39.
Frezzato, Achille. “Robert Altman: “Nashville” Cineforum 158 (Oct 1976), p. 60238.
Gans, Herbert J. “Gans on film: ‘Nashville’: The film as a statement about society”
Social policy 6 (Nov/Dec 1975), p. 57-8.
Gardner, Paul A. “Altman surveys ‘Nashville’ and sees ‘instant’ America” New York
times 124 (Jun 13, 1975), p. 26.
Gay, Richard. “Nashville” Cinema Quebec 4/7 (1975), p. 46-7.
Gilliatt, Penelope. “The current cinema: ‘Love and death’ and ‘Nashville’” New
Yorker 51 (Jun 16, 1975), p. 107-9.
Gilodi, Renzo. “L’effetto Altman” Rivista del cinematografo 54 (Jun 1981), p. 27073.
Giuricin, Giuliano. “Nashville” Cinema nuovo 25 (Jul/Aug 1976), p. 298-9.
Glaessner, Verina. “Nashville” Focus on film 22 (autumn 1975), p. 11-12.
Glueck, Grace. “‘Nashville’ team credits coach” New York times 124 (Jun 20, 1975),
p. 26.
Gow, Gordon. “Nashville” Films and filming 22/1 (Oct 1975), p. 40.
Greeley, Andrew. “Hollywood and the God question” New York times (Jan 18,
1976), sec. 2, p. 1.
Greenspun, Roger. “Celebrations: ‘Nashville’” Penthouse 7 (Sep 1975), p. 38-9.
Gross, Larry. “An interview with Robert Altman on the set of ‘Nashville’” Millimeter
3 (Feb 1975), p. 24-9.
Hasbany, Richard. “‘Saturday night fever’ and ‘Nashville’: Exploring the comic
mythos” Journal of popular culture 12/3 (1978/79), p. 557-71.
Haskell, Molly (see under Sarris, Andrew)
Hatch, Robert. “Films” Nation 221 (Jul 5, 1975), p. 28-9.
Henry, Michael. “Altmanscope (sur le plateau de ‘Nashville’)” Positif 177 (Jan 1976),
p. 10-26.
____________. “Conversation avec Robert Altman sur la plateau de ‘Nashville’”
Positif 166 (Feb 1975), p. 16-19.
____________. “Entretien avec Joan Tewkesbury” Positif 176 (Dec 1975), p. 38-44.
______________. “Entretien avec Alan Rudolph” Positif 192 (Apr 1977), p. 46-53.
Higham, Charles. “Why stix nix big pix” New York times 124 (Oct 12, 1975), sec. 2,
p. 1.
Hodenfield, Chris. “Zoom lens voyeur: A few moments with ‘Nashville’s’ Bob
Altman” Rolling stone (JUl 17, 1975), p. 29, 31, 64-5.
Jacobs, Diane. “Robert Altman” in Hollywood renaissance South Brunswick, N.J.
and New York : A.S. Barnes, 1977. (p. 63-96)
James, Caryn. “Film view: ‘Nashville’ political prescience” New York times 142 (Nov
8, 1992), sec. 2, p. 13.
Jameson, Richard T. “‘Nashville’: Writin’ it down kinda makes me feel better”
Movietone news 43 (Sep 4, 1975), p. 1-24.
“Jerry Weintraub’s first film try, ABC-Par item called ‘Nashville’” Variety 279 (Jun
18, 1975), p. 4.
Kael, Pauline. “The current cinema: Coming: ‘Nashville’ (A brief vacation)” New
Yorker 51 (Mar 3, 1975), p. 79-84.
Kagan, Norman. American skeptic: Robert Altman’s genre commentary films Ann
Arbor, Mich. : Perian Press, 1982.
Karp, Alan. The films of Robert Altman Thesis (Ph.D.)--UCLA, 1980.
[Published: Metuchen, N.J. : Scarecrow Press, 1981]
Kasindorf, Martin (see under Michener, Charles)
Kauffmann, Stanley. “Stanley Kauffmann on films” New republic 172 (Jun 28,
1975), p. 22+
Keyssar, Helene. Robert Altman’s America New York : Oxford University Press,
1991. (p. 134-74+)
Klein, Michael. “‘Nashville’ and the American dream” Jump cut 9 (Oct-Dec 1975), p.
6-7.
Klemesrud, Judy. “Who is Ronee Blakely and how did she get to ‘Nashville’?” New
York times 124 (Jun 22, 1975), sec. 2, p. 19.
Knorr, Wolfram. “‘Buffalo Bill und die Indianer’; ‘Nashville’” Medien 20/4 (1976),
p. 2.
Kolker, Robert Phillip. A cinema of loneliness : Penn, Kubrick, Scorcese, Spielberg,
Altman 2nd ed. New York : Oxford Univ. Press, 1988. (p. 354-8, 362-8+)
_________________ and Braudy, Leo. “Robert Altman: an interview, part II” Post
script 1/2 (1982), p. 2-14.
Lanning, Michael Lee. Vietnam at the movies [GB] (p. 277-8)
Leff, Leonard J. Film plots : scene-by-scene narrative outlines for feature film study
Ann Arbor, Mich. : Pieran Press, 1983-88. (v. 1, p. 245-52)
Leirens, Jean. “Nashville” Amis du film et de la television 238 (Mar 1976), p. 8-9.
Le Pavec, Jean-Pierre. “Deauville-Nashville: Histoire d’un jumelage impossible”
Cinema 75 203 (Nov 1975), p. 24-7.
Levin, Sid. “The editing of ‘Nashville’” Filmmakers’ newsletter 8/10 (Aug 1975), p.
29-33.
“Long, long ‘Nashville’ TV?” Variety 279 (Jul 2, 1975), p. 43.
Lopez, William O. (see under Byrne, Connie)
MacCabe, Colin. “The discursive and the ideological in film: notes on the conditions
of political intervention” Screen 19/2 (1978/79), p. 29-43.
MacCampbell, Donald [et al.]. “Getting passionate about ‘Nashville’” [reactions to
John Malone’s article] New York times 124 (Aug 24, 1975), sec. 2, p. 11.
Macklin, F. Anthony. “The artist and the multitude are natural enemies” Film
heritage 12/2 (winter 1976/77), p. 1-23.
________________. “‘Nashville’: America’s voices” Film heritage 11/1 (fall 1975),
p. 6-10.
________________. “Welcome to Lion’s Gate: Interviews with director Alan
Rudolph and composer Richard Baskin” Film heritage 12/1 (fall 1976), p. 117.
Magrelli, Enrico. Altman: Robert Altman Firenze : La Nuova Italie, 1977.
____________. “‘Nashville’: Il sonoroe il genere” Filmcritica 27 (Apr 1976), p. 91-3.
Malone, John. “Let us not praise ‘Nashville’s’ failures” New York times 124 (Aug 10,
1975), sec. 2, p. 1+
Man, Glenn. Radical visions : American film renaissance, 1967-1976 Westport,
Conn. : Greenwood Press, 1994. (p. 154-64+)
Marcus, Greil. “‘Ragtime’ and ‘Nashville’: Failure-of-America fad” Village voice 30
(Aug 4, 1975), p. 96+
Mariani, John. “There is mostly no dialogue in life” Village voice 20 (Jun 23, 1975),
p. 116-17.
Martin, James. “Robert Altman: An interview with the noted film director” Touch
1/2 (Jul 1974), p. 67-78.
Maslin, Janet. “Altman’s Ophelia” Village voice 20 (Jun 23, 1975), p. 120+
Mazzocco, Robert. “Letter from ‘Nashville’” New York review of books 22/12 (Jul
17, 1975), p. 18-20.
McCormick, Ruth. “In defense of ‘Nashville’” Cineaste 7/1 (fall 1975), p. 22-5, 51.
McGilligan, Patrick. Robert Altman: jumping off the cliff New York : St. Martin’s
Press, 1989.
McMurtry, Larry. “McMurtry on the movies: Woody Allen, Keith Carradine, Lily
Tomlin and the disappearance of grace” American film 2 (Jul/Aug 1977), p.
8-9+
Meyer, Frank. “‘Nashville’ cost $2,200,000, music budget only $50,000” Variety 279
(Jun 11, 1975), p. 4.
Meyerson, H. “The case of the vanishing character actor” Film comment 13/6 (NovDec 1977), p. 6-15.
Micciche, Lino. L’incubo americano: il cinema de Robert Altman Venezia : Marsilio,
1984.
Michener, Charles and Kasindorf, Martin. “Altman’s opryland epic” Newsweek 85
(Jun 30, 1975), p. 46-50.
Mohr, Chris. Confusing the literal mind : the early and later films of Robert Altman
Thesis (M.A.)—Regent University (Va.), 1995.
Monaco, James. “New York letter: ‘Nashville’ / ‘Rollerball’” Film 29 (Aug 1975), p.
16.
Morris, Celia. “Moral laziness in ‘Nashville’” Dissent 23/1 (1976), p. 93-4, 112.
Murphy, Arthur D. (Murf). “Nashville” Variety 279 (Jun 11, 1975), p. 18.
“Nashville” Film review digest 1/1 (fall 1975), p. 59-60.
“Nashville” [photo essay] Films and filming 22/1 (Oct 1975), p. 17-19.
[Nashville] Hollywood reporter 236/38 (Jun 6, 1975), p. 5-6.
[Nashville] Hollywood reporter 237/37 (Aug 15, 1975), p. 3.
“Nashville” Independent film journal 76 (Jul 11, 1975), p. 9.
[Nashville] Listener 93/2425 (Sep 25, 1975), p. 421.
[Nashville] Mademoiselle 81 (Aug 1975), p. 54.
[Nashville] Mademoiselle 81 (Aug 1975), p. 82+
“Nashville” Motion picture guide (edited by Jay Robert Nash and Stanley Ralph
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[Nashville] Screen international 4/27 (Sep 1975), p. 13.
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“‘Nashville’ play side-by-side on East Side” Variety 279 (Jun 4, 1975), p. 5.
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O’Connell, Neil J. “On seeing ‘Nashville’ in Nashville” Commonweal 103 (Feb 13,
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Oliva, Ljubomir. “Altmanov Nashville” Film a doba 22 (Jan 1976), p. 48.
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___________. “USA today: Joan Tewkesbury: ‘Nashville’ & ‘Old boyfriends’” Film
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[Reprinted in Film in Society (edited by Arthur Asa Berger) New Brunswick,
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Illinois at Urbana-Champaign, 1979.
________________. Robert Altman Boston : Twayne, 1985.
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________________. “The South in the films of Robert Altman” Southern quarterly
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Rice, Susan. “The movies: Broken cookies” Media and methods 12 (Oct 1975), p.
18-21+
Robert Altman Munchen : C. Hanser, 1981.
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_________________. “Nashville” Sight and sound 44/4 (autumn 1975), p. 254-5.
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quarterly 6/1 (winter 1978), p. 2-25.
Sarris, Andrew and Haskell, Molly. “A critics’ duet on ‘Nashville’” Village voice 20
(Jun 9, 1975), p. 128+
Sauvaget, Daniel. “Nashville” Revue du cinema 309-310 (Oct 1976), p. 253-4.
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“Self indulgence to B.O. click, trend for ‘difficult’ Altman; Kael and other critics aid”
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____________. “Nashville has mixed feeling on ‘Nashville’” New York times 124
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Verstappen, Wim. “Waarom is het rood-wit-blauw in Amerika intenser dan hier?”
Skoop 12 (Mar 1976), p. 14-15.
Vonnegut, Kurt, Jr. “‘Nashville’: a shadow play of what we have become and where
we might look for wisdom” Vogue 165 (Jun 1975), p. 102-3.
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__________________. “Nashville” in The National Society of Film Critics on
movie comedy (edited by Stuart Byron and Elizabeth Weis) New York :
Grossman, 1977. (p. 196-7)
__________________. “Welcome to hard times” Commonweal 104 (Apr 1, 1977),
p. 214-15.
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20/1 (1980), p. 29-41.
____________________ and Bisplinghoff, Gretchen. Robert Altman: a guide to
references and resources Boston : G.K. Hall, 1984.
____________________ and Erens, Patricia. “Writer for Altman” Sight and sound
45/2 (spring 1976), p. 86-7.
Wicker, Tom. “‘Nashville’: Dark perceptions in a country-music comedy” New York
times 124 (Jun 15, 1975), sec. 2, p. 1+
Williamson, Chilton, Jr. “The Nashville sound” Harper’s magazine 251 (Sep 1975), p.
78+
Wolf, Lillian Kramer (see under Wolf, William)
Wolf, William. “Must movies tell a ‘story’?” Cue (Feb 7, 1976), p. 29-30.
___________ and Lillian Kramer Wolf. “Nashville: New forms” in their Landmark
films : the cinema and our century New York : Paddington Press, 1979.
Wood, Michael. “‘Nashville’ revisited: The two Altmans” American review 24 (Apr
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Yates, John. “Smart man’s burden: ‘Nashville,’ ‘A face in the crowd,’ and popular
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