B.A. PROGRAMME SYstem) (Semester Bengali

, iiffprrnruBNT
)
oF MODERNTNDIANI-ANGUAGESANDLITERARYSTZIES
-UUfWnSffy
,
OF DELHI
DELITI- 1Iooo7
1*,"
1
B.A. PROGRAMME
SYstem)
(Semester
1.
Bengali
Gujarati
Karrrada
Oriya
Sindhi
Tamil
Telugu
*'t's5-'rre**'"'t'**'r**'!d'
B A Programme
ASSAMESE
Discipline
Course
coursel
:Historyof Assamese
Language
MaximumMaiks:75+25
Le!! .es
nese lang{ag€__ |
15
IJ
I,utorial,,
Ararks
:__2
_
ir_.
3 .I
J
I
3063
Re.tdings:
ri Ma:rikpraj<ash,
i999.
ni Manikprakash,1997.
AssamAcademjcCenre,2000.
.i.1l9l:*
warah:stu ts,stores,
200g.
CourseII
: HistoryofAssamese
Lrterature
MaximumMarks:75+ 25
and
rnodem
plases
orAssames
il'.'"t"i"Lt"'r"ffi,ffi:]1il;j.1i,?.j: Tedivai
terature.
thana centuryold now,
rnoepenoence
periodofe".u."s"
r.
11ur-
Iit"ru'tillre
it is rcstncted
Lectures Tutorials
OralandancieDtLiterature
20420
MedievalAssamese
Literature
ModemAssamese
Ljt€ratureuploIndjanInd€pendence
thepre-
Marks
Readihgs:
Sanna,HemantaKumar Aromr,a
sohirycttclt.istip t. 7tl1ed.Guwahati.
Bina Library, 1997.
Background
Courselll: Socio-Cultural
ofAssamese
Literature l\,4aximum
Marks:75+ 25
Thispaperatternptsto locateAssamese
Literarytraditionwithinhj the contextof pluriculturality
on one handandculturalstudieson the other.Aocordingly
ir djscusses
thevaious theoretical
modelsavailablefor the study of literaryculture. Subsequently,
the agency^rvolvedin the
changeandcontinuityof literarycultwe,suchasthe geographical,
historical,religious,cultural
arediscussed.It hasfive sections
ard socialbackgrounds
situation
L Geographic
2. Historicalbackground
3. ReligioLrs
background
4. Socialbackground
(art,musicandperformingtradilions)_
5 Culfumlbackground
Lec[ures
l0
l5
15
l5
t5
!ulortals
Marks
2
3
15
15
3
r5
3
3
15
15
Retldingt.
Barua,B.K Asorhiyabhasaaru sarsflr?r'.
Nalbari:JoumalEmporium.1998,
,Assamdr
loka sanskriti,Cuwahalil,a\rlers' Bbok Stall.I998.
____.
Sarma,N. C. Ed.lxamar sanskritisqmilLte.
Cuwahati:ChandraPrakash,
2000.
Das,Narayan.Ed. Asomarsakskriti-kosr.
JyotiPrakashan,2009.
Guwahati:
CourseIV
MaximumMarks:75+ 25
: Prose:FictionalandNoIl-Fictional
'lhis
prosein Assamese
coursetakes a look at the developmenl
of Assamese
literhturein a
histo cal perspective. Ancient aud medievalAssameseliteraturewas conspicuously
verse
orientedandwith the emergence
of modemAssamese
literature,a Dewdictionin prose$Titing
comesontoexistence,Takinga cluefrom prosewriting in English,both in termsof genreard
literature.
style,a new styleofAssameseprosedevelopsduringthe phaseof modernAssamese
thecoursedwellsuponthreetextsthatdeal
After givinga brief introductionto thjs development,
with fictionalandnon-fictiomlproseuriting in Assamese.
I ectures
1.A b efintroductionto Assamese
shoftstory,novela,rdessay l0
15
2. Shonstory
LakshminathBezba-rua
Mahim Bora
SayedAbdul Malik
Sailda
Bhabendranath
HomenBorgohain
Sourabh
KumarChaliha
Tutoriak
2
3
Markt
l5
20
3:Novel
20
4
20
4. Non-Fictioml
Prose
20
5
20
Prescribed
Texts:
Asonlya galpusunkaldr(Vol. Il) - Editedby HomeDBorgohair
AssamPrakashan
Parisad,Guwahati.2004
Moula ounthmuhlur lriday (3rded.)-!eshe Dode Thongshi
Guwahati,
Raralata,
2006
PuraniAtumi)d vhily4 - Banjl(anta
Kakati
parisad,
AssamPrakashan
1992.
Readings
Barua.PralrladKunrar AromUasutigtlp(r ctdhyqan.Guwaj,ati:Banalata.I 995.
Sarma,GovindaPrasad.Up(inyasaru Asomiyatrpanyas.Guwahati:Students,
Stores,1995.
Goloi, Lil'a.AdhunikAsomilnsahityttrparisal,.Dibruga-rh:
Students,
Empoium. 1994.
Coursef.
: PoetryaDdDrama
This papertaklesa look at poetryanddra,.na
of Assamese
literatue. Takinga departure
from the
medievalorct cal compositionand conventionalthemesof katya litelatue, mooernAssanese
Europeanraditions. To start with, an introductionsurveyingthe developments
of Assamese
poetryanddraDtis going to be provided.Subsequently,
oneanrhologyanda play writtenwill be
ralcen
for detailed
discussion.
1. A briefiDtrodr.rction
lo Assamese
poetryard drana
Lectures
t0
Tularials
2
Marks
t5
2. Poetry
i. Sanl<aradeva
ii. Hemchandra
Goswami
It. Kagnunatn
Lhouclhaly
iv. Nalinibala
Devi
v. Nabakanta
Barua
25
5
30
3. Drarna
Prescribed
Texts:
SanchayanEdiIedby MaheswarNeog
Salirya
A k " d e n r:i0- 0 1 .
Rupalin - Jyotipftsad AEatNalla
AssamPrakashan
Parisad.
Guwahati,
1997.
Readings:
30
6
30
Neog,MalreswarAsomD)a
sahityarruprclhu- gth ed.Guwahati:Chandraprakash,2000
Sanna,HemantaKumar.Asoniyasahityatdristipal.7ll1 ed.Guwal,ati:Bina Library,1997.
itihritld 7th ed Guwahati:Aronodoi
vhilyar safiikiihalmok
' Asomiyct
SarrnaSatyenclrandtlr
Press,1996
lya Gulvahati:Soumar?rakash'2005.
somiydnalyasahi
Stall.1994.
Adiunik iatva chinta Guwaluti:Lauryers'Book
#.ts"ty"pt^
Cours€VI
MaximumMarks:75 + 25
: Literaturein Trauslation
literature DesPitethereexisteda
y in Assarnese
tanslationsaswe unde$tandtoday'is cenainly
tra$lation teminology
rion of understending
.) is given.
'
Leclures
Tutorials
2
420
220
420
Marht
15
Note:TranslatedtextsWiltbedecidedbytheteachersandchangedfromtimetotime.
{4)
BENGALI
Discipline
Course
CourseI
: HistoryofB€ngaliLanguage
MaximumMarks:75 + 25
The courseprovidesa bdef introductionto the historyof Bengalilanguage.The beginningof
writing systemin Bengaliwithin the emergence
ofwriting culturein Indianis addrcssed
to start
with. This followedby a discussionon the laaguagefamiliesof thelndiansub-contilentandthe
Indo-Aryanfamily oflanguagesto which Bengalibelongsto. The subsequent
thlee partsdeal
with Old Bengali,Middle BengaliandModemBergali phasesofthe language.The lastphase
dealsuith theregionalvarietiesofBengali.
I
1
Marks
20
20
Evolutionof BengaliScriptard Old Bengalilanguage
MiddJeBengalilanguage
ModemB6gali languagb
Regioralva etiesin Bengalilanguage
Readings:
Sen,Sukumar.BanglaBhashar|tibritto.Kolkata:AnandaPublication,
2000
Shaw,Rameswar.
^9a
dharanBhashaVignanO BanglaBhasra.Kolkata:pustakBipad, 1984
CourseII
: HistoryofB€ngatiLiterature
MaximumMarks:75 + 25
This courseprovidesal ovelall view of arcient, medievaland modem phasesof Bengali
litemture. Sincethe modemperiodis morethan a centuryold now, it is restlictedtiil the treIndependence
time-frameof Bengaliliterature.
i.
ii.
iii.
AncientBengaliLiterature
MedievalBengaliLitemtule
ModemBengaliLiteratureup to Indianindependence
Zs
25
25
Prcscribed
Texls:
Bandyopadhyay,
Asit. K. BanglaSahityerSampurnaltibritto. Kolkata:ModemBook Agency,
1966
(D
AncientBengaliLitemture
20 marks
Charyapad,
(iD
MedievalBengaliLiterature
20 marks
(iii)
Literaturc :
Bengali
Modem
"
o
Mission
l",,',lLra",,"r"- SluiRampore Kr' DL[aAkshdy
. i.uv",Cf'^"'it'Bidyasagar'
D'tta
oi""o-on" loi'ra'Madhusudan
sen'Iswar
diljt*lr..y*' r.t'binChandra
i";iltf,
(Pvari
bi;.6t':""g^"el^np-vaserSuchana
AoupanyasiLbr'indr'
i^il,i"" O"""rl" ' cauna
)
G'Jovelrsr
*i]ii'"i in*a" chatropadhvav
-
iourse I tt
- --
cultur'rl Backgmun'r
: BengaliLiter:rlufElSttio
hasfivc sectlons
?5--]5' Iii-rum Mort<T
l)
Itihas Kolkaia
i3 to 637)
CourseIV
Fictional
: Prose:FictionalandNonPoetryandDrama
A brjefintroductionto Bengali
+
MaximumMarks:75 25
Text- 1:
lisli & TarapadaMukhopadhvav
',{a^_t,
rshan,Kollata; 1965 . __..;:30)
,ee
(t
(ir)
(iii)
(iv)
(v)
(r,r)
(vii)
("iii)
(ix)
(x)
ta
ipak
nir Tire
nasu
poems)
(serected
#[i,#l?_11[:?:;jj.ffi aar,"a"u
(Marks:25)
--
Text- 3:
Readings:
.Ekei
Ki BaleSabhvata,:
, _ ; MichealMadhusudan
Dutta;SahityaSansad,
Kolkata.
(Marks:20)
'
;S1'tl#,'ff":iffbi
o Kabva'(2002);
p,"sad
sh'nkad
pdnrer
Basu;
Genelal
&
RarfanDasgupta& Debiprasad
agadish
Btattacharya;
Bharabi,
Kolkata
,; Ed. by TarunKr. Mukhopadhyay;
Tulsi,
a^,.-^^ rr
: frose (Fifiional & Non_Fictional)
bdefintroduction
to BengaliEssay,
Novel&
.A
Text- 1;
Text-2:
Text- 3:
MaximumMa*sr 75+ 25
ShonShory
.prachya pashchatya,;
O
SwamiVivekanaada
(Marks:25)
,pmthamprarishruti,
(1964);Ashapunra
Debi;MitraO Ghosh, (Marks:
25)
"
'Kathaguchcha,.(Selecred
Stories)
(Ed.)
(Marks:25)
(i)
(ir)
(iiD
(iv)
Durasha:RabindralathTagore
AbhagirSwarga:SaratCh.Chatlopadhyay
BhushandirMatheiParashuam
Baudyopadhyay
PuinMacha:BibhutiBhushan
'RabindraGalpo';Pramotha
NathBishi
'Balgla SahityerChhotoGalpoO Galpokar';BhudebChowdhury;ModemBook
Agelcy, Kolkata
'BanglaChhotogalpo'
Kolkata
(1966);SisirI<r.Das,Dey'sPublishiDg,
'Bargla SahityeVivekaaanda'(1
Kolkat4
Bandyopadhyay,
974);Chittaranjan
CourseVI
lext-
l:
: Literatureir Translation
MaximumMarks:75+ 25
'PntichyerSahityatattwa';
Parishad,
Amritalok'sahitya
Bhattacharyi;
Tapodhh
2002
Midnaporci
(Marks:l0)
terminology
translation
lntroduction
to understand
Text-2:
'Bhantibilas';IswarCh.Bidyasagar
- Part-1;Tulikalom,
Kolkata;1994
Raohanaba.li
Bidyasagar
Text- 3:
'UnishBighaDui KathaJami';PhakirMohanSenapati;
by Maitreyee
Translated
(Marks:
25)
Shukla;Sahitya
Akademi
Text - 4;
'EdgarEllanporRahasya
by HirenChattopadhyay;
Translat€d
Romanchor;
!99k
(Marks:?o)
stali,Kolkat;,1983
(Marks:20)
House'
Dey'sPublishing
Vidyasagar';
AsitKr. Bandyopadhyay;
Readings: 'BanglaSahitye
1991
Kolkata;
B.A. Proeramme/BengaliDiscipline/ year programme
3
/
yzl' Jemesler/Course
l:
Textl:
70
_ 5emester/Course
2:
Text l:
'70
2ndYr/3'dSemester/Course
3:
Text l:
'70
Text 1:
Text 2:
Text 3:
30
20
20
4
4
Textl:
Text2:
Text 3:
-
20
25
25
3
5
5
25
Textl:
Text2i
Text 3:
Text 4i
l0
20
20
20
2
4
5
5
t5
20
20
20
r
r/l
2"oYrl4h Semester/Course
4:
3d Yrls,hsernester/Course
5:
--f
yrl6u' semesTeibouse
6:
13
75
t3
'75
13
5
35
20
20
25
B'A Programme
Discipline
Course:1
Historl'of GujaratiLanguage
MarlG:75 + 25
Iiterature.
Marks Lect Tut
. -f.
Iniroduction
o[lndia
scriptandwritingcultures
Language,
.la)
(b) Languagefamiliesin lndia
(c) ArYanfamilYof languages
3.
(a)
ft)
(c)
MedievalGujaratiandits characteristics
changes
Phonologicalmorphological
imPacls
Sarskitic an devnagari
Lexical changes
l5
10
20
20
20
20
20
20
4 . StandajdGujajatiaDdits chaJacteristic
language
tal Modernizationof Gujarati
spatial nd social)andlarguagechange:
(iemporal,
(b) l-ungoug"tu.iution
orcujalati
svstem
poetics
and
t1lili,,l'J'T:,."':::SfiTetricar
(c)
ReferenceTexls:
S'rarooP'
G jarati Bhosohnu
:dabad& Co.,Mumbai.
:osAneSworoop.l-)ni
G N Board'Ahmedabad
Coursel2
History of Gujarati Li;€rature
Marks:75 + 25
l.
Introduction.
15
l0
2
riting cultuIein Guiarati
iting culnrreinjaina, swami
Errayana
and
fure
ui,i,s ' _il
.
:xts.
Referehceflerltsi
In
i3_=
l0
l0
2_
i3i33
lo
ro
)
RameshTrivedi, 1999,Madhval
, -"-"!-'ialih GuiarutisahiD)ano
itihas aad,arsh
prakashan,
Ahmedabad.
Dhirubhaithakar,2006,
_-J_,-:i sahityanivikasrel&avol_I
, Gubral
Ahmedabad.
guljarprakashan,
Gujara-ti.sahiudhoirihas
khand
._.-- -j, 2005lub.by cujarati
Afunedabad
sahityaparishad,
.
Course:3
Socio_culturalBackground
to Gujarati Literature
Marks:75 + 25
l.
Introductjon:Conceptual
cal
tnangeandcontinuity;
' 15
securar,rerigiousand,rn".",,rr,-f"tot"t'
; hierarchical
andcoexistjngsystems.
ia
2
10
gujarataod
North $ljarat,South
2. Ecologicalbackground:
regions;
Saurashira
10
industriesandproducts'
Riversandmountainsand soil types;natulalresources;
A briefsketchofthe politicaldynastiesl
Historicalbackground:
andislamirulers
vaghelas,solankis
I0
10
HindusJaina,swamtnarayana
Religiousbackground:
10
l0
10
t0
i.
Music,theatle,
Cultulalbackground:
performingtraditions,art andarchitecture
2
Socialbackground:Society,Casteand Family
10
ClobalizationandDi_aspora'
5. Mode'rnization,
l0
2
Texts:
Reference
Panchalshirish2001,Iistni sa.litlttgujarat,samvadPrakashan'Vadodara
Ushanair,2001,gliaralhi bhatigdlzala&'cebtralinstituteoflndian languages'
mys0rc
Course:4
Prose
GujaratiLiterature:FictionalandNon-Fictional
Marks.75+ 25
of I
This coursetakesa look at the development
was
perspective.Medieval Gujarati literature
hctionalprosewriting in gujarati
l- Introduction.
(a)
ibj
15
Versein medievalgujaratiliterature
Colonialmodernity,pinting andmodemprose\ariting'
liteIarycritic
Biography/autobiography,
t0
2. Shortstory/Novel:
Gajvamagamly Il,wtoharTrivedi.jaupadpra.kashan,
dhasa,Gujarat.
3. Autobiography:
Bapavishe,labhshankarthaku, Rilnnadepmkashan,
Ahmedabad,
Criticism:
4.,Chandrakant
topiwala,200J,rachanavoll,parshvprakashan,
Arureoabad
20
20
20
20
20
Reference
Texts;
j.r.2002,sa vr,tr).,are,
Pa$hvpub.,Ahmedabad
*Gohil
randya nrvashj2004,poor-vahirdeshaadarsh prakashan,
,\lntedabad
Eafi mehra2008,rekhanftr.r
parshvpuh.,A.Jrmedabad
'
Coursei.5
GujaratiLiterafure:poetryand Drama
writren.durins
the period r:::t';;:
",
metricalcompositions
andconventional
thimes
]rtookseveml
expefjmentations
bothin folm.and
l.
Introduction.
15 t0
l0 t0
25 25
@
t)
4. Dramacollection:
editedby vinodadhvaryu,1994,
AdyatanGujardtiekarztro
Ahmedabad.
GujaratisahityaParishad,
Texts:
Reference
kavach
topiwala1994,Pratibhashanu
Clrandmkant
Pafihn-p-ublication,Ahmedabad.
25
Parshvpublication,Almedabad
Shrnanshah2002,&avyapad
llasmukh baradi 199'7,Gujaruti lheatuenoit[has,\ationalbook trust, Delhi
Sumar shah1988l adhunikGujarati knvita ane sarjakchetanaPushv pub-Ahmedabad
Course:6
Literature in Trarslation
Marks:75 + 25
DesPitethere
literature.
This papertakesa lookat thetanslationactivityin modemKannada
todayis
aswe understand
translation
tnditionoftellingandrenderings,
existeda longstanding
is providedto startwith'Tbree
A brief historyof translaiion
certainlya productof modemity.
of Poetry,shortstoryanddlamaa]e
selection
tanslations
havilgrepresentative
anthologies-of
studiedin detail.
1. Intoduction.
h\
A hriefhistorvoftraiNlation.
(b)
15
10
Underctandingtranslationterminology:translation,transcreation,
D--,.1a;-a
+a1ti6d.r^
(c)
A brief surveyof trarislationactivityin GujaBti
20
20
2. Arthologyof poetry:
publications,
Mumbai.
Karyavishraeditedby sureshdalal, image
3. Anthologyofshdrtstoriesfrom Indiar languages:
Vibhajannivartaoedit€dby sharifavijalival4
Imagepublications,
Mumbai,
20
20
4. Drama.
20
20
Ahmedabad
Bhasnaekankio-pushv Pral<ashan,
ReferenceTexts:
publication,Ahmedabad
by jayant5othari,gurjar
Eknnki ahegujarati ekartkiedited,
Ahmedabad
P atshvPrakashan,
Chan&akanttopiwala2003bahusamvcjd
DisciplineCourseI
Kanuada
paperi I
IIistory of K{Dnada.Larrguage
Mark: 75+25
Lectwes
Tutorials
l . Inkoduction.
8
2
Marhs
l)
2.
20
acteristics
stics
:ristics
mnges
poct,9
rtlcs.
uage
20
20
20
4
20
4
20
^l - r rulr4r./
--- ^
..
P _-._.
a r i " *,s
ano language change;
I andpoeticssystemofKannada
ReferenceTexts:
Krjshnaiah,
M.H. 1999.SanLgipta
hannaja
bhaseyacaritre.Bengalum
Q'
Ankitapustaka.
2005Kannadabhasa
andSabihaBhumigowda'
Maheshvaraiah
Marularya.Sa.Shi.,Rajeshvad
prov eia. B engalrtuiKannadaSahityaParjshattu'
RuparashmiPrakashana'
Savadattimath4s. 19S5 Kar)nadabhasawatd'ga' Gulbarga:
DisciplineCourseI
Kaunada
PaPer2
Eicoryif
KannadaLiterhlqle
Marks:75f25
Literahuewithil
This paperprovidesan overviEwof arcient andmedievalphasesof Kannada
the beginningof
the theoreticalframeworkof comparaliveliterary historiograPhylt intoduoes
Sanskit andTamil
writing culturesin Kannadawithin the oontextof litefary activitiesin Prakit'
e
writingson the other.Subsequently
on thJonehandandthe Buddhist,JainaandBrahminical
literary phasessuchas Camptt'yacana'Ktrtdne'
g"nrr-*ir"
-Raga|e -a sectarianaPproachto different
provided'
and,galpadi,gangatya andtripadi andJas*a literatureis goingto be
l . lntoduction.
lEclufes
Tutorlals
8
215
(a) B$hmi script andthe writing culturein Prakrit,
Sanskit, Tamil andKannada
Writingculturein Buddhist,
(b) ReligiousBackground:
Hinduism
JainaandBrahminical
2. Kavyo literfrre and,Canpn: JainaBrahminical
'and
10
literature.
Virashaiva
l0
3 . YdcanaiBhal<tilitqrgf'vreofthe Virashaivas.
l0
Kirlare:BhalililiteratueoftheHaridasas.
5 . Ragaleandsalpadi:Mwa andhagioFaphic
l0
lit€lature
l0
6. SdkgqtyaandtfiPadi liteftfite'
l0
texts.
Knowledge-base
7. ,idita literature:
Marks
2.
2
2
l0
l0
l0
2
2
2
l0
l0
l0
RqjlbrenceTexts:
Mugali,R.S.Ig74Kahhada,sahirya
can|7/e.NewDelfii:
--"' u4ltva
Salitya^l."de-i.
AkadeEj.
\4ue,li R-s,
D a r^.^
-,
Mugari,
rg.o-Kahnadasahitya
rn. ragal?.Mysore:
r--" Usha
voua Jatltrya
SahjtyaMale
Male.
sdD,dh)arige
Sdmdnrn,;--sahitraca
-=,..,
*e,g vorumes.,
BangElorc:
BangaloreUnivercjty.
I
Disciplire Course
I
KanDada
Papa,q.
""cro_cultu!-al BackErourd tb
:.
Kataada I,itu"uturb .
Marks:75+25
Iectures
Tutorials
Mqrht
l)
l0
l0
t0
IO
l0
2
l0
Lectures
5, Culturalbackground:
Music,theate,performingtraditions,
srt andajchitecture.
6. Socialback$ound:Society,CasteandFamily
' . ?r Modemization,
GlobdizationandDiaspora.
Tuturtals
10
l0
''18..
l0
Marks
2
2
10
t0
Texts',
Re:fercnce
Karnafukasdmsvti. B?Illlaliie: DevuduPratishtana'
1933.
De\!d,J.
. K]rish.narao
M.V. and ' Kamaai@ samskti'.2 voiumes.BangaloreiGovemmentof Karnataka'
Kamat, StryanathU. 2 001. A ConciseHistory of KamdtAk4ff!'n Prc-histoic Times
to thePresdnt.Bangalore:Jupiterbooks.
H, 1969.Kamad\kasanshrtisanilqe.Bs':,1alote:IBH PrakeshssE:
Tipperudraswamy,
DisciplineCourseI
Konuada
PaPer4
Kartrada Literature:FiclionalaadNon-FictionalProse
Marks:75+25
of Kannadaprosein Kannadalitelaturein a
This coursetakesa look at the development
velse
Anoient and medievalKalnada literaturewas consPicuously
historioal percpeotive.
prose
writing
oriented andwitlr the ernergenceofmodem Kannadaliteraturc,a new diction in
genre
and
Takinga cuefrom prcsew ting in English,both in termsof
comesinto existence,
style, a new styleof KannadaProsedevelopsduringthe phaseof modemKalnadaliterature'
theooursedwellsuponthreetextsthatdeal
to this development,
After givinga brief introduction
prosewritingin Kannada.
with fiotionalnon-fictional
l. Inhoduction.
Leclures
8
lulorials
4
20
3 . A utobiograpfiy:
!,kf:,:-."- r,,,*t i^-iX{f;,
7,tr;;::;!:::,:,yL,hahassinahaft
u
20
Prakasfiana.
4 Cdricism:
20
N"-,^--,.-_
20
,tt" u-iii iTi.i
irdJ."ft?;ll._LlesowdaNasavara.
BangaloreUn"
""0,,iversr-.[,. iliiii!,
Re/erence Texts:
Kurturoq
f,T?::,,,';il.fi
rc*"ti".',
;;{3::,f;::?,f:
universjry
"l:,;;{tr:;f;::?::
ofMysore.
#::::::,"{ys.re:
#:;i:3:;y,jfi
_
D.utgatore:
",".
::llHy,:ly,r#;
Kannadapustaka
I
wdi hatlu
,_- 'ra,slrryate,
Mangalore:
"pt.t/ate, Mangalore:
Margalore
Man
-. .,vrugannaCe
sAhi^
-..,,t" curttre.
Bangalore:Ankjra pustaka.
i/-_L-
20
DisciPlineCourseI
Kannada
PaPer5
KaDtradaLiterature:Poetryard Drama
Marks:75+25
during the period of modem Kannada
lhis papertskes a look at poetry and dramawritten
started-affecting the pretito"tur". ro*u.aa the mid-nineteen0tcentury colonial modemity
of Kannada;oetry'Takinga
oolonialworlaviewresultingin a new sensibilityin the writing
tlemes ofKarya liter'ture'
deputure ftom the medievalmetribalcompositionsandoorventional
botlr in form and oontentlaking
fu*.au P;9ly undertookseveralexperimentations
-ft"rn
-"rrl
as Ndu:d?q phase'which
tot English [.brirantic Poefy. This-phase is designated
endingthe lacunaof &ama in
ev"ntualtyleAt te forTo phase,the modemisttrend Similady'
elementsfiom the European
Kannadaiiterarytadition, modemdramaemergedtaking several
theatreand socialthemesetc To startwith' an
tradition, suohas ooncePtoftragedy, Prosoenium
of modemKannadaPoetryanddlamais goingto be
lrrooauoionsurveyingthe dev6lopments
ooltaining rcPlesertativeseleotionsftom poetry and
fiovia"a. SuUs"quentfy,two anthologies,
playswritten duringthis periodwill be takenfor detaileddiscussion'
Matfu
Tutorials
Lectwes
10
2
S
1. Introduction
ofnew poetryin Kannada
(a) Onthe emergence
(b) Thelacunaofw ttenplaysandtheemergenoe
ofnew dramain Kaanada
15
2
lO
2. HistolioalPe$Peotives:
poetry:
ofmodemKannada
(a) A briefintroduction
Navddsy4 NavYaand
Dalita-BanCeya
Phases.
(b) A biief introductionto modemKannadadmfia:
qtti rangabhimi, amecfirndlakamandali,
nAlaktdnd
samdiikanAfuh*,Adhunika
asangatunA4ka
25
5
25
3. Poetryc;lfection:
SamakilinaKannay'aleavite.Chiefed
Bangalore
Bengaluru:
G.S.Shivarudrappa.
University.1978.
Selecotioos:
Q) delaru rujunAdidana(KuvemPu)
(2) lfivqr.ta (AfibikatanayaDatta)
Lectales
(16) angutahuluvina
pardkgtapravela
rlan)
t ndlaka. ed,by
sejrqctions:
r. Bengaluru:
ltY'1978'
jriranga,jn
nar6qed.by
Bengaluru:
y. t978.
RderenceTmt:
Tutorials
. Marts
DisciplineCourceI
Katrnada
I'xper6
, il,
_'i",.-_
-_-
Marks:75
ta.k
Suh
_a.
,, "ranj;
I i. ,rduct of
otly, ths activil
,.esof hanslatio.F
'ri
r
,eri!
ug rep''
.,) n modem l aJmadalitcra ure. Dr cDiteI
iendednrr r,..
. --,t,l toda
'
"
h
-- -:'
':{-d
oi l,nsl"'orl
jto ii rlr ri.. thrs
:radais lc
,llslation
rirJdrl 16re
\ of poetry!.-Sq'
ntdive
,rdetsil,
Marks
t5
roduoti(
unslation.
,slationten ,logy:
L: rriiLl,r :'
Lir,r,,
rg, ttj," J etc,
. -
.
r(annada.
'-'tJ
^^",iry:
2. Arth,
20
Text:
bawtra.byB.M. Srikanthaiah
ktnnay'ada
storiesfrom Indianlinguages: 20
ofshort
3. Anthology
Text:
SanakAlinabhatuEyasatr| kathegalu| .
ed.by I abaniBhattachary4tr. bY
New Delhi: SahityaAkademi.
R. Vijr raghavan.
20
2009.
4. Drama.
20
20
20
Text:
Idipasdore, E, by P. Lankesh.Dharwar;
ManohaEGranthamale.
ReferenceTexts:
Bha$anhrasaltabha. Mysore'
Arora" Lakshminamyar.a.
University
Kannada
natt bhaiantura.HamPii
Tharakeshwara,
V,B, 2006.yasdhatufdhi
MANIPURI
Discipli[e Course
Coursef
tf;'.ttoq ruun ioori
Languege
ulrginai evelopmerrr
of M"oiftu'.i
Lr.guuge
Ma-rinumMrrks:
75+25
the ' -'duage The last
i
iii.
lv'
;#;ifi?l;::f
andordManipurj
iarcr'age
l;,scrto,
tr,todem
l4anjprLriJangrragL
onal varieriesin-flarip*i tanguuErnem,Norrhern,Easlernand\\
es-ten:)
l"{arl..sr
"".
1<
i6"'
15
ts
trronals
Prescdbed
texts:
:!tta,1973
ReadingListsj
r, Catcutta,1923,AIi, AFM. Abdul
umit KumarChattedee
I981
Lnce,Imphal(1975)_ by l,andit
N, Khelchandra
CourseJJ
l.
u.
llt.
: Hisforyof Manipuri Lrrerarure
AncieDtManipuriLtterature
MedievalManipudLiterature
ModemManipuriLiterature
up to Indjaninde endence
Prescribed
Texts:
1.
Manipuri Sahin/agi
ltihasby Kal^chand
Sastri
Maxir,iumM8rks:75 + 25
Marks Lecl.
2U
20
25204
30306
utodals
Historyof ManipuliLiterature,publishedat lmphal
Prof.ManiharChongtham,
3.
CourseIII
: MAnipuri Literatur€l Socio-culturalBackground
Historyof ManipuriPeople
Socio-Cultural
MaximumMarks:75 + 25
This paperattemptsto locateManipu litemrytraditionwithin the contextof Pluricultua.ljtyon
the varioustheoretical
one handand culturalstudieson the other. Accordinglyit discusses
the
agency
involved in the
models availablefor the study of literaryculture. Subsequently,
historical,rcligious,cultua.l
changeandcontinuityof literaryculture,suchas tbe geogmphical,
arediscussed.
It hasfive sections.
and sdcialbackgrounds
Marks Lect. Tutorials
:10 2
t5
1.Geogaphicsituation
_
1
5
3
15
2, Historicalbackgrouind
3
1
5
1
5
3. Religiousbackground
15
3
15
4. Socialbackgrcund
(Art,musicandperforming
traditions)
5, Cultumlbackground
15
15
3
Prescribed
Text:
Imphal,Madpur, 1981
i)
R. K. Shitaljit:Rasleela.
Imphal,Manipur,1980
ii)
SurchandShama:Sri KrishnaRasleela.
by StateKala Academy
iiD
Meitei Gogoi:Published
CourseIv
: Studyof LiteraryTexts- I
Fiction:ModemPoetryandDrama
MaximumMarks:75 + 25
of prosein Manipuri literaturein a historical
This coursgtakesa look a1 the development
verseorientedand
perspective.Ancient and rnedievalManipuri literaturewas conspicuously
with the emergence
of modernManipu litenturc,a newdictionin prosew ting comesinto
tbecoursedwellsuponthree
to this development,
existence,Afier givinga b ef introduction
prosewritingin Manipuri.
textstlat dealwithfictionalandnon-fictional
25
25
(?oem)
Presc bedTexts:
Imphal
Publishedby ManipurUriversity,Canchipur,
i)
KanchiSheireng:
pieces:
Selected
a\
Kamrl
Ricwa Prem
b) Chaoba:LoktakMapalda
c) Irabot:Telegraph
Uttuna
d) Nwadwipchardra:
TakpiriNalraknaKJrudamna
ii)
by H. AnganghalSingh
KliambaThoibiSheireng
25
25
J
Vol.lil (KhaoPhaba)
iiD
Play: ManipurLeelanzaci4Published
by CultumlForum 25
Manipur,Imphal.
FourPlays:
a) Tamnaiai:Kanhailal
b) Bus Stop:Tomchau
c) HingbataiKarigumbaUpaiama:G. C. Tongbra
CourseV
: Studyof Litcrary Texts- II
ModernManipuriPoetryandDrama
MaximumMarks:75 + 25
This.papertakesa look at poetryanddraoa iir Ma,ripuriliteratr.ire-Takinga departurefrom the_
medievaimetricalcompositionand conventionalthimesof katya literature,modemManipuri
poetryundertookseveralexperimentations,
both in form andcontent.Manipuriliterarytradition,
modemdramaemergedtakingseveralelementsfrom theEuropeaittraditions.To startwith, an
Presc bedTexts:
ShortStory
1 Karchi Warimacha,
publishedby ManipurUniversity,
Canchipur,Imphal
Selectedpjeces:
a) Brajendragi
Luhongba:Dr. iiamal
b) KamlaKamla:R. K. Shitatjit
c) Nunbgaimkta
Chandramukhi:
M. K. Bjnodini
d) HajamTakisno:E. DinamaniSingh
e) NongdiTarakkhidrc:
K. P okumar
' f) Nungshiba:
N. BirenSingh
40
40
2. Matric Pass,G. C. Tongbra.Published
at Imphal,Manipur
35
30
CourseVI
6
: StudyofLiterary Textsin Translation
lvtaxlmum vlarxs: /) + 2J
ClassicalModemPoetryandDrama
This papertakesa look at the translatjonactivityin Manipufiliterature.Despitetheteexisteala
(tEnslation,transcreations,
rendedng,
tellingetc.)is given.
Prescribed
Textsi
1. Novel- Parineera
(Tr.) Haobamlboyairnapublished lmphal,25
phambalKabalTr.),frnpha.l9gi
Manipur/Naorhingkhong
, By Prol Ch. Manihar
2. Autobiography- Jayadev(Tr.) by E. Nilakanta Singh,
25
25s
3. Drana - Sakharam
Binder(Tr.)by L.Dantodar
Publishedin t986,Imphal,Manipur
25
204
I'
ORIYA
DisciplineCourse
CourseJ
: Ilistory of Oriya Language
MaximumMarks:7f +:f
Tutoials
-
ii.
iii.
iv.
I5
-t5
30
CourseII
: History ofOriya Literature
Ma\imurn Marks:7f +J5
Lectures
i.
11.
ru.
Marks
AncjentOriyaLitemture
15
MedievalOriyaLiterature
2
0420
ModemOriyaLirerarure
upto Indianindependence
306]f'
prescribed
Texts:
,
Odia sahiryaraitriasa _Krushan
Charanpradhan
Bidyapuri,Cunack,2004.
Readings:
Tutorials Marks
3
20
CourseIII
: Oriya Literaturei Socio-culturalBackground
MaxiroxmMaJks:75+ 15
This paperattemptsto locateOdyaliterarytraditionwithin the contextofpluriculturalityon one
the varioustheoreticalmodels
haod andcuhoralstudieson the other. Accordinglyit discusses
the
agency
involvedin the chargeand
for
the
study
of
lilerary
culture.
Subsequently,
available
historical,religious,culturaland social
continuityof literary culture,suchas the geographical,
are
discussed.
It
has
five
sections.
backgounds
LecturesTutorials Marks
-
r5
10
2
l. Geographic
situation
t)
J
l)
2. I{istoricalbackground
1
5
15
3
3. Religiousbackgound
15
15
34. Socialbackground
---+5
t5
3-+
*Cultural bEEkground
(Aa, musicard?crftE!.ing taditions)
PrescribedTexh Odrasqhiryorqsahsloutlkabkashadhara,by ChittannajanDas,
Bhubaneswar:
TextBook Beuro,1995,
Das, Maffnathanath.Odishaltihasa, Cfilack; Bidyapuri, 2000,
Samiti,2003.
Mahatab,Harckishna.Odishafiihasa-A)ttack:PmjatantEPrachara
CourseIV
MaximumMarks:75 + ?5
: ProserFictional and Non- Fictiotral
This coursetakes a look af the developmentof prose in Oriya literaturein a historical
perspective.Ancientand medievalOriya literaturewas conspicuously
verseorientedand with
prose
the emergence
writing comesontoexistence,
of modemOdya liteEture,a new dictionin
After givinga brief introductionto this development,
thecoursedwellsuponthreetextsthatdeal
prose
with fictionalandnon-fictional
writing in Oriya.
L A briefintroduction
to Oriyashortstory,novelandessay
Prescribed
Texts:
1. Galpaejugarcjuga(Shortstory)
- Ed. by Nityananda
Nayak
. Bibhutibhusan
i. Headmaster
Tripathi
ii. Kritadasa- RabiPattanayk
iii. Seilokata- Akhiia MohanPattanayak
2. ParaTa(Novel)-GopiiathMohanty
l0
l5
20
20
20
T
Bidyapuri,Cuttack
r Das
l
rthy
rnaai Sahu
Readings:
r.rat,panyasa.Cuttack: Bidyapuri,
'tyara
4apti O dwti, Cuttacl: pra
0.
sahirya
!a,.Bhubaneswar:Mahabir prakaslEn,200
.
CourseV
: poetryand Drama
MaximumMarks:75.+2f
l. A b efintroductionto Oriya
poerryanddrama
l0
Prescribed
Texts:
Bhubaneswar
200
.maDas
rth
n Rao
0635
rl
v. chirraprarima
_ Ra,n"r,un;ffi$l,Put'-u)
Readings:
IACK:
{}y)
2
,CourseVI
MaximumMarks:7t+ :5
: Literature itr TranslatioD
activityin Odyaliterature'Despitethercexisteda long
This papertakesa look at the translation
is. certainly a
,tiaini ouaiaion6f telling and renderings,translationsas we unde$tand today,
tanslationterminolbgy(translation'
i.J""t"of toa"*ity. A bief intoductionof understanding
talscrearions,rendering,tellingerc.)is given.
Tutorials Marks
Lectures
terminology l0
translation
l. Intoductionto understand
2
Texts:
Prescribed
4
Tr. by JugalKishoreDutt4 20
7. AnandbMatha Q'Jovel),
Cuttack:OrissaBook Storc,2001
20
(Autobiogaphy)
2. Adhdteha dastabej
!CuttackrNew AgePublication,2005'
tr. by SukrutiiTa;eyaSamantray,
420
3. B.is;bdaftd(PIay),ti. by SaswatiRav,
Store,Cuttack,20p6,
CuttackStudents
-'.|,t
t
r
t
/
1S
20
20
20
o,,.;]il?.q",,"
CourseI
: Historyofsindhi Language
MaximumMarks:75 + 25
Marks LecturesTutodals
15
t5
3
15
15
3
't5
L5
3
15
15
3
15
l0z
Readtkgs.
CourseI[
: HisroryofSindhiLiterxture
A,rcientSindhjLiterature
Readings:
MaximumMarks:75+ 25
Marks LecturesTutorials
C o u r s eI l l
\ r . , : - , , . . u\ l a t k s : 7 5 , 2 5
t
: S i n J h i L i t e r a l u r e : S o c i o - c u l t u r Al Jl a c k g r o u n o
'e Secrlons.
background
1.GeograPlical
2 . H i s r o r i i ab la c k g r o u n d
background
3.Religious
4 . S o c i a bl a c k g r o u n d
5. Cultumlbackgroun6
Malks
Lectures
Tutorials
1:
l)
i?
r)
i
1:
l)
1?
'J
;
15
15
3
Readings
-L-:Malkani
K.k-sindh Story, Sindhi Academy,Delhi
.,r{.-or Fr'-nA<<
slroerv BhashaPraashan'Adipur (Kutch)' 1994
India,2005
Book Trr.rst,
CourseIV
: Prose:Fictional^nd Non-Fictional
Ma,ximumMarks:75+ 25
I
This coursetakes a look at the development
ddhi
Marks l'ectruesTuto als
l.AbefintroductiontoSindhinovel,travelogueandliterarycriticisml0255
Texts:
Prescribed
llirctruna*i f arc' Harhyogi'sindhiAoademyDelhi
L
Tu SindhMe RahiPau'
ChawlaThal<ur,
.
Mumbai,2001
AmritaAnandPublication,
Delhi
Dar'rrAin Tanqueed'
ii-tt".^ti ,o^"""d,Badiljanclar
.
15
15
15
15
15
l5
3
3
CourseV
: Poetryend drama
MaximLr.-n
Marks: 75+ ).
Marks Lect. Tutorials
20204
l. A-briefintroductionofModeD Sindhipoetry
and
ModemSindhiDrama
Prescribed
Texts.
102
t0
4
Selected
Poerns:
h\
c)
d)
3.
a)
d)
SastaYa Mahanga-Maya
Rahi
Bhamb ani Laxman,SindhiEl@nki,Sahitya
Academy,Delhi
SelecteEl<anki:
SunahriMauko- M. Kamal
Agni Sanskar- SunderAgnani
Zalzalo- ShyamJaisinehani
PeeriaJo Ishq- prempiakash
20
20
4
Read.iags:
CourseVI
i Literaturein Translation
MaximumMarks:75+ 25
1
Marks Lect. Tutoial
30306
ion
l termil1o]ogy
activityin slnonr
ion/ uaasliteradon
Texts:
Prescribed
I'
(fron Malal{a1n
VishuBellani(Tr'), Agnisakshi
il ]i:;dil;i*u
R"f:'gJ:il"y
il#;i'K,tiln
20
20
20
A-kademv'
eitr'ttjun"to)'sahitva
New Delhi, 2004
,.
25
JoHikuDinlun'
(Tr'),Akhaar
SahityaAcademy'1999
(ftom Hindi by MohanKaKesn)'
sindhiYlitvaVidwat
Ke VividhAayaam'
M.K.,Sindhisa}lit.ya
r-\.lLi'' " ' -rlrJi Tarikh'Bombay
lnr
srnoff
Margharam,
2. Malkani
l'lgv'
Parishad'
Syllabusof Discipline
Coursein
Tamil
,j,i
D i s c i p l i n e I:
Paper - I
Origin andDevelopmetrt
ofTamil Language
.
75+25
Marks
Lectures
Tutorials
PrescribedText:
Moli VarctarrilTahil, 2005,pe.
Suyambu,
Cn.*"i, Virarf.rfri IlilAy^*.
ReadiDgList,
j. T.P. Meenakshi
Sundararn
(Translr
rv.rauurar:
sawodayaLIu*""p ,u-*lnt
t teyapral<asam)1982,
Tanilmoti l/aralaru,
':t
PaPer- II
History of Tamil Literature
The aim of the courseis to give a complet'
order.SinceTarnil hasa vast collection of li
necessaryto inhoduce to the shrdentsof I
This courseexplai-os
historicalbackground.
historical backgound ftom Sangatnto mode
modernliterary hislo.y irl a comprehensiven
genres are
in literary prcduction, emergence,and development of various literary
discussedwith sPecificexamples.
'75+25
Literatue
1. Sangam
2. EpicLiterature
3. Ethica.lLiterahue
4. Bhakti Literature
5. Mitror LilemtuIe
6. ModemLiterature
Marks
Lectues
Tutodals-
(10)
(10)
(10)
(10)
(10)
(10)
00)
(10)
(10)
(to)r.,
(18), ,
(02)
(02)
(02)
(02)
(02)
(04)
Qs)
PrescribedTextl
Tamil llal*iya Varalaru,2008, S SubashChandraBose,Chennai:PavaiPublication'
RcadingList
andHebhzibahJesudasan,1961,AHistory ofT)m Literature' Calcntta:
1. C. Jesudasan
YMCA PublishingHouse.
2. Varadarajarl,M-, 1912,Tamil Itakkiya ltaral4rur,New Delhi: SahityaAkademi'
3. T.P. Meemkshi Sundaram,1965, History of Tamil Literature,AnnamalaiNagar:
AnnamalaiUniversity.
PaPer - III
Socialand Cultural History of the Tamils
andPoliticalhistoryofTamil
ofsocial,cultural,
aimsto imparttheknowledge
Thiscourse
of
areas:
OdgirLHistory,CultureandCivilization
covirstle follora'ing
Nadu.Tluscourse
and
iife
of
of
land
divisioos
pedod
five
periodto cootemPomry
Tamilsfromtheancient
1
::ll': ;;".,T:: 3::"';::7,. 1*"io,o'r, socio,ogy,
75+25
Marks
00)
(10)
( l0)
(10)
00)
00)
(0e)
. (10)
(r5)
Pre$cribedText;
_l
(09)
o0)
( l0)
00)
(10)
(02)
(02)
(02)
(02)
(02)
(02)
(02)
##:,Xt?#,fA(:! *' ^ Panpadun, 2o
ot
o,K.K. Pillai; ,Cherurai:Intemational
ReadirgList:
t
ffi;f_'H
,Y., 1983,Tanitogavaratarum
panpadum,Madurai:
Tamitar
sa..,va"-a
2. Subramanjan,
N., 1gg7,Tami!Sociat
History,yol. I & IJ,Chennai:
InstituteofAsian
'
ot"T;f;**t,
i*iltlll;r:'
1999, Tahirar Nagarihamum
panpadum,
chennai: Aintinai
2001'
sociatLfe of theranzits,chennai;
rnremadonar
rnstiture
of
Paper- r\/
famil Fiction
75+25
&
Marks
Lechnes
Tutoria.ls
(02)
(15)
Prescribed Texts:
| . ruuam ytctuoy neDtrzlbahJesudasan,
20I 0, Nagercoil: Kalachuvadu.
A,Iarks
2. AbithabyLa-Sa.Ramamirtham
2010,Abitha,Na9ercoil:Kalachuvadu.
Marks
Q0)
(20)
3..
Marks
- byValliFl€auao & .L &rbrarnadao,1996, Q0)
New Delhi:Natiolal BookTilst.
h
;1
ri
' l-ectures
(20)
Tulodals
(04)
Lectures
Tutorials
(04)
I-echnes
Tutodals
(04)
(1e)
(19)
Rbadirg List:
l.
Su!dara Raja!, P.K. & SivapadaSunda\dn,1977, Tanil Nqy{: Nffandu Varalantm
yalerccirutr, Cheruai: ChristianLiteratue Society.
2. SuDdaraRajan, P.K. & Sivapada Suadarall" 1989, Tanilil Cirukadai l/arqlarum
Ydlarccirym, Chenlai: Crc:A.
3. Sivattambi, K., 196'1,Tamilil Cirukadq|in Torramwn Velarcciytm, Cdennai:Pari
Mlaiya.u.
I
4. Kailasapatby,K., 1987,TanII Naval llafuilan, Chennai:NewCenturyBook House.
Paper- V
Modern Tarnil Poetry & .Drama , .i
Emergenceof modemity in Tamil -. dev,elo.p,m"ent
of new literary genres- prose, rlonfiction, novel, shoft story and modern poety - emergenceand developmentof modern
poetry - earlier attemptsand var:iousschoolsof Eoden poety - major poets and their
co[tribution - cotrtemporarydevelopments.
A-ncient forms of Tamil Drama - Kuttu as a traditioMl Tamil Theatre - Tamil theahe
tradition - Europeandra.qIaand Tamil dramatists- emergeoceo{new theatreperformarce
- dramaticworks in modem period - post independentTamil drama- emergenceofnew
theatremovements- readingand analysisofmodern plays.
75+25
'
Marks
0s)
il
lechnes
;i fior
PrescribedTertst
1. Alagin^Cirippu by Bharatjdasaa
r:'6u, LheDnai:pfii NlaiyaE.
'
Marks
Q0)
, Iectures
,| (20)
Tutorials
(02)
Marks
Q0)
Lectues
Tutorials
(04)
Marks -l
(20)
Lectureg
r"s",
ffi
fi:ff"fr#ffhpll""rr,,
3&tihtcodqootNofag*gol
.trijoffiHi"fid.", _-,
.
0e)
iutorials
(04)
,-o9)
Readilg.List:
t'
ltg;rt"'"*,
t
J#S.[T*,
1985,Kanwuk KuytrinNentppuk
lfural, Viluppurarn:Muthu
1977,pudu-k_tuvidoiyin
Torramum
Chennai;
Eluthuo
.Vatarcciyum,
3. Karikalan, 2005,lr'4yrh
a Tamil_h-ksvidlaivn
p^n-.^_,
'td'46)u" ^,
' " Pok*ugal'
chemai: ^4anltha
vuelrttar:
Manrha Pul
44. Raqgaraian.1998,
Publicatiols.
rgqe
T--t
^t-.
^
.,
.
-vidaln
Tarkatat ?anil
!.augarajan,
5. ---------_-_
-- 1996,
7oot Tamitil
d- ,,,--
Studies.
il;;.
Nadagangel, Qheanai:
Kavya publications.
Nninq Nadakan,Cher*ai:
I\ten;r:;;r#:.*r*,
Paper- W
ClassicalTamil poetry
75+25
'i
Marks
05)
PrescribedTexts:
1- Kur ntogai(l - 50Poems),
1977,
Chenui: Soutb]lldia SaivaSiddhanta
WorksPublishingHouse.)
Marks
(200- 250Poems),
1978,
2. Purananuru
Chenrui:SouthItrdiaSaivaSiddharta
WorksPublishingHouse.)
Marks
3. CirupanArruppadai,1,998,
Chennai:Soulhladia&iva SiddhEta
WorksPublishingHouse.
Ma*,L
/?{tI
Lectures
r1n)
ir :1
a Lecflrres
/?o\
Tutorials
(02)
Tutodals
(04)
Lectules
Tutodals
(04)
- Lectures
(19'
Tutorials
(1e)
ReadingList:
V,Sp.,1962,TarnilhKadal,Chennai:PariNilaiyam',
1. Maniokzrm,
MadvacagarNdlgam.
2. Manickarn,
V.Sp. 7987,CangoNeri, Cherrrvri:
3. Tamilalnal,2003,Cangallal*ia
Puttaga
Nilaiyao.
Oppidu- Itakhiah Kolgaryat,Madurai;Meenakshi
4. ShaDrnugam
Pillai,M, (Ptb), Kuruntogaf,Taajavur:TamilUniversity.
5. Balasublamanian,K.V., 1986, Canga llah:kiyattil Purappo l, Pudukkottai; Meem
Padippagam.
DISCIPLINE I
PAPER-I
ORIGIN AND
DEVELOPMENT
OF TELUGU LANGUAGE
imuII| Marks:
75 +25
Marks
I5
L e c t u r e s+ T u l o r . i a l s
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universiiy,
t l/ilaraau,
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Uniyersiry,public
@
.
PAPER-II
HISTORY OF TELUGU LITERATUR.E
M a x i m u mM a r B s : 7 5 + 2 5
a n c i e n ta n d
T h e o b j e c to f t h o c o u r s ei s t o p u t i n s i g h t t h a t . T e l u g ul i t e r a t u r ei s
in ill itsmanifestaj'"li;tli"',"Tr"*f,l"rlT"t,"it"in';
richandvaried
ioitinu"out,
t ge of the
t r o d u c e d .T h e p r e e m i n e nA
i
i e s i s s t u d d e dw i t h e v e n t s n f l u e n c i n g
history
composition. The course offers a comprehensivi survey of lit€rary
a u i i i g u o " i " n r , m e d i e v a la n d m o d e r np e i i o d sw i t h a n e y e o n d e t a i l a n d c r i t i c a l
exegesls,
L e c t u r e s+ T u t o t i a l s
Mrrks
P r e - N a n n a yPag r i o d ( b o f o r eA . D . 1 1 0 0 )
Thc Age of PoetioTrinitY.
a n dt h e S i v aK a v i ' s .
Purana,Kavya and Didaoticliterature.
Sataka,
Literary FormsiPrabandha,
Y a k s h a g a neat c .
Folk litcrature.
A d v c n to f M o d e r n i s m :
Bhava,AbhyudaYaetc.
Sampradaya,
Contemporarytrendsin literature.
l)
l0
l0
IO
10
l0
2
2
l0
t0
10
l0
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l0
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9
9
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P r e s c r i b € dT e x t :
A n d h r a S a h i t y aC h a r i t r aS a n g r a h a m uP' r o f . K h a n d a v a l l iL a k s h m i r a n j a n a m .
(Prof. Khandavalli Lakshmiranjanam,1 9 9 5 ,A n d h r a S a h i t y aC h a r i t r aS a n g r a h a m u ,
V e n a k a t r a m u& C o . , E l u r u )
R e a d i n gL i s t
a ,a v y aP a r i s h o d h a k a
, , 1 9 9 6 ,T e l u g u a h i t y aS a m e e k s h N
l . P r o f .N a g a i a h G
6
9
9
,
T
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i
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Bhavani Nagar,
P r a c u r a n i l u , .8l -l
2. Dr. Dwa. Na Sav.-
ro^" tya C h a_ r. 'i.t-r,a V
,y ,i ns rhr a tl aannddl h
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socrAlo*o .urriliPER- Irr
L }IISTORY
OF ANDHRA-S
rvrsrt.rtunrMarks:
75 + 25
.Marks
l.
2.
3.
Lectlres + Tutorials
|
4.
5.
6.
IO
{0
IO
l0
nlzatjon
Io
t0
d I d e nt i I y p o l i t i c s
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9
7.
2
2
2
2
2
2
P r e s c r i b e dT e x t s :
Lakshmiranjanam, K & Balendusekharam,K, 1951, Andhrula Charitra
Samskriti,BalasaraswathiBook Depot, Madras- 600 001.
R e a d i I l gL i s t :
1. PratapaReddy Suravaram,1950: Andhrulq Sahghika Charitra, Andhra Saraswata
- 500001
Hyderabad
Parishat,
CaritraSahglahamu,
DeluxePublications,
2. Somasekhara
Sarrn4M. 1991:Andhradesa
Karl Marx Rd. vij ayawad,a 520002
3. Ramaraju,Biruduraju(Ed.), 1988:I/igjxanoSama*amu : Telupt Samskritit/olume2, 3
- 500004
ard 5. PSTeluguUniversity,Hyderabad
- I
House,Hydembad
4. Vedavati,C., 1983:TeluguVelugulu,YisalandlvaPublishing
PAPER-IV
TELUGU FICTION
r r crcrrf|cd
Textsj
.-
Marks Lectures
+ Tuforials
NovEL:
Ji
: u r nb a R a o
)10: Caduvu,
a Rao
) ha l a m
nara
40
35
6
8
r a y aD e vj
r Raju
: Y a mN a r a s i r n h a
R,^
_ . . " . , , 4r u D t , s h i n g
H o u s e ,H y d e r a b a d
_
-3.
u. tnamanl.Visrlandhra
publishing
PAPER.V
MODERN TELUGU POETRY AND DRAMA
Marimuin Marks:75+ 25
E m e r g e n c eo f m o d e r n i t y i n T e l u g u - D e v e l o p m e n to f n e w l i t e r a r y g e n r e s A d v e n t o f M o d e r n i s ma n d d e v e l o p m e notf M o d e r nP o e t r y- E a r l i e r a t t e m p t sa n d
various schoolsof Modern Poetry - Major Poets and their contributionCo ntemporarydevelopInents.
Ancient forms of Telugu Drcry - yeelhi as a -{raditionAl Telugu theatre European Drama and Tdrgu dramatisE - .Emergence of *l'e!v.-:Therlrep e r f o r m a n o e- D r a m a t i ow o r k s i n m o d . e r np e r ; o d - P o s t i n d e p € n d e nTt q l u g u
d r a m a - E m e r g e n c eo f n e w t h e a t r e m o v e m e n t s- R e a d i n g a n d a n a l y s i so f
Moderr Plays.
P r e s c r i b € dT e r t s :
Marks
I . M O D E R NP O E T R Y :
40
L e c t u r e s+ T u t o r i a l s
?5
R
Selectedfrom TeluguKavyamala,
Katuri VenkateswaraRao (Ed.)
C e n t r a lS a h i t y aA k a d e m i ,N e w D e l h i :
(i) Kanyaka-Gurajada
(ii) Jannabhooni- RayaproluVenkataSubbaRao
(iii) Anugjna- Pingali & Katuri
(iv) StfiaI aa navaa ti- Jashuva
(v) Daasabodha-GadiyaramVenkataSeshaSastry
(vi) Mahaprasthanaz-Sri Sri
(vii) Sankranti-Tummala Sitaramam
urthy
(vii,i) Adviteeya- Balagangadhara
Tilak
II. MODERNDRAMA:
35
i h a r i t a b l eT r u s t ,
N . G . O b y A c a r y aA t r e y a , 1 9 8 7 :M a n a s v i nC
Chennai 600017.
33
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Publishine
1 9 9 7 :V i s a i a n d h r a
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House,
Hy
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PAPER-VT
CLASSICAL TELUGU
POETRY
Maxirnui Marks: 75 +
25
g i o u ss t r i f e a n d p o l i t i c a l
ur_-_. *
,Hff
I T!;J:;_;J
ilJJff:i; l:il:
P r e s c r i b € dT e x t s :
Merks
I. CLASSICALPOETRY:
- L e c t u r e s+ T u t o r i a l s
! etug Kavyahala,
nao,
x.,(Ea;,
x:,Ltl":1,:1"
central
sahjrya;i;;';;X;,
(a)rheAge
"r'r;"i'i""iliiii
(i) Kut, aru
D e l hi .
st r a vi dya Sandarsan
amu
by Nannaya
22
K u r a m a r a t h aK a v i
(iy)
Raama Nomaamritom
by TyagalaJu
R e a d i n gL i s t :
1 , V e e r e s a l i n g a mK,- , 2 O O SA: n d . h r a
K a , ) u t aCaIitrad , Visalandhra
PublishingHouse,Hyderabad_5
00001.
2, Arudra, 2002:Sanagrandhra
Sa)lilyam' Telug! Academi'Hjmayat
Nagar'
-dyoelabad.
3. Dwa. Na. Sastry, l99g: Andhra
SahiryaCaritrq, Visalandhrapublishing
House,
Hyderabad-500001
.
1