EMR 11749 The Earl Of Oxford`s March - alle

DISCOGRAPHY
The Earl Of Oxford’s March
Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare
Arr.: Colette Mourey
William Byrd
EMR 11749
1
4
4
1
1
1
5
4
4
1
1
2
2
2
1
1
2
2
2
2
2
2
Score
1st Flute
2nd Flute
Oboe (optional)
Bassoon (optional)
E Clarinet (optional)
1st B Clarinet
2nd B Clarinet
3rd B Clarinet
B Bass Clarinet (optional)
B Soprano Saxophone (optional)
1st E Alto Saxophone
2nd E Alto Saxophone
B Tenor Saxophone
E Baritone Saxophone (optional)
E Trumpet / Cornet (optional)
1st B Trumpet / Cornet
2nd B Trumpet / Cornet
3rd B Trumpet / Cornet
1st F & E Horn
2nd F & E Horn
3rd F & E Horn
2
2
2
2
2
2
2
1
1
1
1
1
1
1st Trombone  + 
2nd Trombone  + 
Bass Trombone  + 
Baritone  + 
E Bass 
B Bass 
Tuba 
Keyboard (optional)
String Bass (optional)
Tambourine
Snare Drum
Tenor Drum
Timpani
Fanfare Parts
Special Parts
1
1
1
1
1
1
1 B Trombone 
2nd B Trombone 
B Bass Trombone 
B Baritone 
E Tuba 
B Tuba 
st
2
2
2
1st Flugelhorn
2nd Flugelhorn
3rd Flugelhorn
Print & Listen
Drucken & Anhören
Imprimer & Ecouter
Monasteries & Castles
Track
N°
N° EMR
Blasorchester
Concert Band
N° EMR
Brass Band
Marche Triomphale (Lully)
2’21
EMR 11750
EMR 9252
2
The Earl Of Oxford’s March (Byrd)
3’26
EMR 11749
EMR 9253
3
Mille Regretz (Josquin des Prés)
2’49
EMR 11751
EMR 9254
Suite (Gervaise)
5’31
EMR 11752
EMR 9255
If Ye Love Me (Tallis)
3’17
EMR 11763
EMR 9256
10-13
Turmmusik (Störl)
2’48
EMR 11765
EMR 9257
14-17
4 Festive Dances (Susato)
3’52
EMR 11770
EMR 9258
18
Tourdion (Anonyme)
2’03
EMR 11771
EMR 9259
19
Marche des Trompettes (Charpentier)
2’53
EMR 11773
EMR 9260
20
Cantate Domino (Monteverdi)
1’55
EMR 11764
EMR 9261
Pavan and Galliards (Holborne)
5’38
EMR 11772
EMR 9262
24
Sonata Pian e Forte (Gabrieli)
3’48
EMR 11745
EMR 9263
25
Mon Coeur se Recommande à Vous (Lasso)
1’40
EMR 11766
EMR 9264
4-8
21-23
Route du Golf 150 CH-3963 Crans-Montana (Switzerland)
Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch
Time
1
9
www.reift.ch
Titel / Title
(Komponist / Composer)
Zu bestellen bei • A commander chez • To be ordered from:
Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch
4
Recorded on CD - Auf CD aufgenommen - Enregistré sur CD
|
Photocopying
is illegal!
20
The Earl Of Oxford's March
William Byrd
Fl.1
Arr.: Colette Mourey
Fl.2
Maestoso q = 92 4
1st Flute
2nd Flute
Oboe
Bassoon
1st Bb Clarinet
2nd Bb Clarinet
3rd Bb Clarinet
Bb Bass Clarinet
1st Eb Alto Saxophone
2nd Eb Alto Saxophone
Bb Tenor Saxophone
Eb Baritone Saxophone


 


 







  

 
  












 




 
 




 
 




  
 





  




 
 

 
 







3rd Bb Trumpet /
Cornet
 
 





 





 





 




Keyboard /
Organ
(optional)
Tambourine


  
 
            
 
  
 
mf

  
mf

 
            
13
14
15
16
17
18
19




                 

  


 




                 



  
  
       

                 
  
 
  
 



     



 





  


  
 

  
 

  
 

  




  
 


  
 
 
  



                 



  
Ob.

Cl.2




  
  







    






Bsn.
Cl.1

Cl.3
   



B.Cl.
A.Sax.1

 
 
  


  
 
 
 


mf
  

  
 

  

mf
  
 
 
 


 


  
 

  


A.Sax.2


T.Sax.



B.Sax.


  
 
     

      
 
  
   


  
 

  
  
     
 
 
  



  
 

  


    
 
    
    
 

        
     
 
 
 



  
 

  




    
      
 
 
 
  
 
  
 




  
  
 
 

  




  
  
  
mf




 
  


mf
  
    
  
 
 



   




  
    

 



  



Tpt./
Cnt.1

Tpt./
Cnt.2
Tpt./
Cnt.3

Hn.1
Hn.2
        


  

   
Hn.3

     




Tbn.1



  
mf
 
 
 
  








  


 




 
 







 
  
mf
 
   

mf

  
  
 
  
 

mf


f
 
 
 
mf
   
  




  


       

 




    

 

 
      
 
 
 
       
       
   

f
 
mf
mf
 



     


   
 





 

 
 


  
 


  
 


  
  
  

  
  
  


                  









     
 
 
 






  
Tbn.2
  













B.Tbn.







Bar.
Tba.
Str.B.
          
   
   
  




    
 

                   

  
 
 







 
 
  



   




 

 




  
 
 
 


 


  
 

  
EMR 11749
© COPYRIGHT BY EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND)
ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED


p

  


p


  
p
  

 
 














 
 










 



 



 










 


  




 


  
p




 

  





 
  

  
 


   
p








 




 




p
  


  


 





  

  
p
 





 




 









 




 
 

 


p

  
p
 

p
  






 
  
  






 
 
           

p

          
         









    


 




 



 
    




    



    



     
      
    

    
      







 




T. D.

   



 












 

 



 




 
 







 




   

 








 




 



 

    

 

 







 

   

EMR 11749

 
 




 
    
    






 
 
        



 

       
  

    



 





 




 

       


 
                      

 
      






 


    
mf




         
 
mf


mf




    




    

   
mf
mf

 
    
f


www.reift.ch





    





   



 

 











mf

 
 

    
 
    
   


  

mf

p

 
    

p
 

    

Timp.


mf




     




mf
S. D.



mf
   

 

                 
  


   

 





mf
Tamb.
   
 
  
  


    





    




 
mf


 
    
 
mf

 
    
 
36
mf


    
mf
p

  

mf
p
  
 
    
   

 


mf

 
      
mf


f
    

 
p


mf


35
       


mf



34
 
     

 
   

  
33

    

 

32

mf

31

     

 
   
 
p
30
mf



29
    
mf

p
B
         



p
 



  
Kb.

          
  
p
p

     

p

28


                        
     


 


p

27


        




26
 
  
  
  



25




                           
p
  



  
p

  

24


mf
mf
23
p
          
mf

22
p
      


    
    


   
  
mf
  

 
 
mf

Tenor Drum
 
mf


  
mf


 
f

Snare Drum
Timpani

 
 

  
mf

String Bass
(optional)
12
mf

Baritone
 
mf

Tuba in C
11
mf

Bass Trombone
            
mf
  
 

 
2nd Trombone
10
mf
2nd Bb Trumpet /
Cornet
1st Trombone
9
     
 
  
8
mf

3rd F Horn
7
f
  
 
2nd F Horn
6
stolid and martial
1st Bb Trumpet /
Cornet
1st F Horn
5
 

21
A
  








   



      
   
 
  
 







 


 




 

 



www.reift.ch
5
37
Fl.1
 

  


Cl.3
A.Sax.1



Hn.1



Hn.3

Bar.
Tba.
Str.B.
Kb.










 









 
  


43


44






            









  
f

              




  
f
 
  

f


 
 

  

 



 




 



 


 











   



f
  
 

f

  
 



         





       
 







  


 




         



  








 

 

  



 


  
 

 
 

  
 


  
f


 


  
f
  
  
f
 
      


  
        




 

      
         










S. D.











T. D.

Timp.



  




   
 




 


 


 


 

     

 
  







 
     

 
 

   

Tamb.


  

 
 
   
f
      
f

 



  

    
 


 







52
53



  

Fl.1
    

 
  

    


57
  
  
 
  
 
Fl.2
Ob.
Bsn.
    

6
56
       
     




55
       
       

54

Cl.1

 

 

  


  













 


 



  





 
  

 
  
T.Sax.
 




 





B.Sax.

      

       
       


     

    
  
  

     


 


         
















  

  

 





            







 


 
 








 
  


   


     
 
 


 
 
  

 

  
Tpt./
Cnt.2
Tpt./
Cnt.3
Hn.1
Hn.2
Hn.3
       

 


  

 
  
 
  


   





        

 

B.Tbn.
Bar.
Tba.
Str.B.
Kb.
Tamb.



    

Tbn.1
Tbn.2


Tpt./
Cnt.1
 


             

 

       
 
   
    



A.Sax.1
A.Sax.2
    



    


B.Cl.

 

  
 




   
  



      
     









 
 




   
Cl.3


 
Cl.2

      


 
            


      






 
 
      


  
 
  


  
 
  


  



 
   


   
 
 



  
   


     

  

 
EMR 11749



   
 

 


f



 
         

 
f


 
f
    



 
  
   
  
    

  

  
f



    
f
 



   


  


 
 


 


50 51
      
 
     
     
 
  
f

 
f

     

    

f


    


 


 
    
f


  


     

49
f
 

     
f


 

f
48
f


47
 
    



46
  
f


C
45
  






42
 



41



 


 











 

Tbn.2
B.Tbn.



Hn.2
Tbn.1


 
 
Tpt./
Cnt.2
Tpt./
Cnt.3
 




T.Sax.
Tpt./
Cnt.1

  

A.Sax.2
B.Sax.



           
  

Cl.2
B.Cl.



40
         
  

Ob.
Cl.1
39
          

Fl.2
Bsn.
38

  
www.reift.ch
S. D.
T. D.
Timp.
58
       









  
  























 

 

 

 



 

 
p
64
 

 
     

p
 





       

 

  


  


         
 


           


 
 







 


 
 
 
 









 
 
   
 


 
      




  



    


          
 


 



       

 






 




 



  
 


 

 


p



 




      
 
       


  











 


p
 

 




 


       


           
      

  
    
 

 

 




           










  


 
 


  


p


 

 
 


 

 
 

 

 
 











p

 
p
      
p
mf


  

 
 
  

p


p

 


 
 
 


 
     
 



  



EMR 11749


 

 






 
 



 


       

 
    

    






 



  
f
  
  
f
  
f
  
  



f

 

  

 
  


 
 

 


 
     
  
  

 






  
f
f


 
  
f


               
         

       

  



             
  


 
  

  
f
f
      


      
              




 
           




 




p


  
f
p
             
  
f
f
p



  



 

p


 
                   

  
  


 


      
 
 

  
f





 

  
f
f

p

f
 

  


      



 




 



 
  


     

 

                



p


p






p

  




 

               



 




 

        

 
 




  





 
  
f
f


mf
  
f
f
  

thema
  
f
 
 

 

 


 








 



p

 
p
p

 

        
  


   
   


              



p

  
  
f
f

  
       

 
 
p




 

 

69
  
f




E
68


p
67
 
  

 
p
p
66
 
    


           
 

65

    
 
                     



 
63

more dynamic and bright








p
     


 

 


 


 
62
 
p


     

61
Più mosso q = 96




D





 


 
        



        



60
        


  


 

59
  
  
  
   
f
  
  
  
f
   
f




f
  
f
www.reift.ch
7
70
Fl.1
Bsn.
Cl.1

 








Tba.
Str.B.
Kb.


 
 

 


  







 

Tamb.
S. D.

T. D.



 
 






 



 
  
   






     


          
    
 

           
    
 


   








   

 
  









        




      

  

  



 
  


 
   
Fl.2

 

 





 
  







 




 

 




 



 








   

 



   




 
 






 








     
  








 
    



 


 
 








  


  

 
 


 
  




 








  
 






  
 
  

 




 
 
  
  
 
  
 

   

 
   




  
  
 
 





  
 



 
  
  
 
 
         

   

    
 
 






 

 
   
















 
 



 

        











 



 




 





 


   




B.Cl.


A.Sax.1



A.Sax.2



T.Sax.
   
B.Sax.
  








  


Tpt./
Cnt.1
Tpt./
Cnt.2
Tpt./
Cnt.3
Hn.1
Hn.2
Hn.3
 

EMR 11749
 
 


  


Tbn.2
   
B.Tbn.
 






Bar.





 
 


 
 






Tba.




      

 

 
Cl.3

   

Cl.2
 

    
Cl.1




 
  
    


 
 
      



      
   


          
 
  
   


 
   
     
   
 
  
  


  


86
87
f
     

 
89

    
   
 

ossia
     
 

 

p
88
sim.

        
 
  
 

 


  
  

  
                              
p
f
sim.

        

f
        

 
   



   
  
  


www.reift.ch


 


        

 
p

  

p



                                        


f



      
  



f
f
f
sim.





         

f
    




    















ossia



   
Bsn.


            
     

 
 
Ob.
Tbn.1


  



     
 



     
  



       
 

   



        
 





       






85
ossia        

 
ossia

  

Fl.1
84
83
82
ossia



81
 
 

8
80
       




           
   

79
p



78


  
77



76

 


             

 

F
75
  
    


  

74



 
73
 
  





 


Timp.


Tbn.2
Bar.



Hn.2
B.Tbn.

  



   

Tpt./
Cnt.3
Tbn.1

 
 
 


Hn.3

     

Tpt./
Cnt.2
Hn.1
 
 

T.Sax.
Tpt./
Cnt.1
    
 
 
A.Sax.2
B.Sax.
 
  
Cl.3
A.Sax.1


  
Cl.2
B.Cl.

 
Ob.
72
 
 

Fl.2
71
Str.B.
Kb.
Tamb.
S. D.
T. D.
Timp.
  







 


        

 
p

  





p
 


  
    





p





  









p

 







f

f
p




 

p
 

  
p
  

p




  




p
 


 



 




 
 



 











f

f
 



f
f






 






 
    
 


 
 





 

    

 




 






f








 
 
p

  




  



f
 


f
 
f


  










EMR 11749
 













         

 
   

     
   


    


















    

     
  
 



 



 






   




     
 
 
















 
    

    

    

    









 
             






                    


          
           
                   



     
  

 


        
f




     
 
 



                                        
f




 
   


f
    







f


 

 




    


 




 
 


f
 



f

  


    


 

    


f





 



 

 








 

 
  

 
p
p




   



f
  
  
       

p
 

 
 

 

         

    



p

 
f
f
 

p
 


  





f

  




 



f
 



f







p
 
   



  






  





p
p




   

   
p


   
    
  




 

 






p





p
   
 


p
p

 


p
  



  


p
sim.


    




            



www.reift.ch
9
90
Fl.1
Fl.2
Ob.
Bsn.
Cl.1
Cl.2
Cl.3
B.Cl.
A.Sax.1
A.Sax.2
T.Sax.
B.Sax.
Tpt./
Cnt.1
       
  





Tbn.2
B.Tbn.
Bar.
Tba.
Str.B.











 

 











 





    





  


 

 

  


      







 

 




 


 
 


 
 

 

 


  
   

       



     





 
  










  





   
 
 
 




 
 














    
    



       




     



   
 

p

  


 p











 

   


EMR 11749
 


   





   

p

   

  
   


   
 
   
p
p
   
   


      

p
  






      



p
 




p

      
p
 

p
   


p




 



   
p
     



        
  

 
p
     



      

p

p
 


 

p
  
  
  


      


p


 

           

    




           
p
p
 

   

p

     
 
     
                          





 



p

    
   




       

   


p

   

p

   




 




  
   


    

 




  

   
   
p
p

        



     
   

 


   


   



  



   
 

p
       

 
    


   

 
 

   





                     
           






 
 


             


 

   

   


 
 


   



 






 
   
  


           




   




      







 









 
  



 


 

S. D.

 








    
  

   
   

100
p



 
 


     
  





99

       










  

   

  










 
 
  



 

        



             
98

   
    

    


             

  


           

 
97
 



96
 





95
      

 


     
  



 
  
 





 


  
  
 
 
 

94


  



 

93
    


 




   
 




  

   



 
  


   



      







Timp.

   





     
   








  


Tamb.
T. D.

   

        
Kb.

   






  
 

   
   


92
   
  


Tbn.1

  

Tpt./
Cnt.3
Hn.3


  

Hn.2

 
Tpt./
Cnt.2
Hn.1
91
   

   

  


     
p
 
   
p
www.reift.ch
WIND BAND – HARMONIE – BLASORCHESTER
ARRANGEMENT OF THE CLASSIC
EMR 1634
EMR 1978
EMR 1858
EMR 1667
EMR 11549
EMR 10136
EMR 10137
EMR 11563
EMR 10381
EMR 10430
EMR 10429
EMR 11114
EMR 1389
EMR 11664
EMR 11522
EMR 1860
EMR 11324
EMR 1871
EMR 10359
EMR 11150
EMR 11149
EMR 11069
EMR 10384
EMR 10461
EMR 10460
EMR 10140
EMR 10141
EMR 10282
EMR 10307
EMR 10091
Adagietto From Symphony N° 5
Adagio For Strings (Platoon)
Adagio in C minor Op. 13
Also sprach Zarathustra
An Epic Symphony
Anvil Chorus
Anvil Chorus (Chorus SATB)
Asturias
Ave Maria
Ave Maria (Chorus SATB)
Ave Maria (Solo Voice)
Ave Maria (Solo)
Back To Bach
Badinerie (Clarinet Solo)
Badinerie (Solo)
Barcarole "The Tales of Hoffmann"
Canon
Capriccio Italien
Caprice N°. 24
Caprice N°. 24 (Clarinet Solo)
Caprice N°. 24 (Solo)
Carmen March
Caro mio ben
Caro mio ben (Chorus SATB)
Caro mio ben (Solo Voice)
Chorus Of Hebrew Slaves
Chorus Of Hebrew Slaves (Chorus SATB)
Chorus Of Hebrew Slaves (Pan Flute Solo)
Chorus Of Hebrew Slaves (Solo)
Cielo Andaluz
EMR 11483
Concerto (Alto Trombone Solo)
EMR 11129
EMR 10269
EMR 10995
EMR 10377
EMR 11371
EMR 1261
EMR 10147
Concerto (Solo)
Concerto in C (Solo)
Coronation March
Csardas (Accordion Solo)
Csardas (Duet)
Csardas (Version C minor) (Solo)
Csardas (Version D minor) (Solo)
Csardas (Version in D minor)
(Xylophone Solo)
Csardas Fantasy
Dance of the Comedians
Der Schauspieldirektor
Die Entführung aus dem Serail
Die Fledermaus - Ouvertüre
Die Moldau
Die Zauberflöte - Ouvertüre
Divertimento KV 240
Domine ad Adiuvandum
Ebben? .. Ne andro lontano (Diva)
Egmont
Elsa's Procession To The Cathedral
Entr'acte (Carmen)
Entry Of The Boyars
Entry Of The Queen Of Sheeba
Epic March
Espãna
Fantasia & Fuga in C
Farinelli
Fatinitza March
Faust (March)
Festmusik der Stadt Wien
Finale from the Organ Symphony
Flight Of The Bumble-Bee
Flight Of The Bumble-Bee (Accordion Solo)
Flight Of The Bumble-Bee (Clarinet Solo)
Funeral March
Funeral March Of A Marionette
Funeral Music Of Queen Mary
Funeral Music Of Queen Mary (Chorus SATB)
Gioconda giocosa
Gipsy Fantasy
Grand Choeur Dialogué
Grand Chœur Dialogué
Highlights From Carmen (Gipsy SongPrelude-Habanera-Seguidilla-Entr'acte)
Highlights From Carmen (Gipsy SongPrelude-Habanera-Seguidilla-Entr'acte)
(Chorus SATB)
Holberg Prelude
Hora Staccato
Hungarian March
I Vow To Thee
EMR 11246
EMR 10346
EMR 10383
EMR 10319
EMR 11488
EMR 10112
EMR 1870
EMR 10107
EMR 11224
EMR 11562
EMR 1653
EMR 11087
EMR 1156
EMR 10105
EMR 10997
EMR 10210
EMR 11077
EMR 1990
EMR 10911
EMR 11427
EMR 11628
EMR 11076
EMR 10049
EMR 11474
EMR 10348
EMR 10493
EMR 10671
EMR 10982
EMR 10213
EMR 10994
EMR 10979
EMR 1962
EMR 1965
EMR 11288
EMR 11440
EMR 1086
EMR 1581
EMR 11237
EMR 1983
EMR 11023
EMR 11663
MAHLER (Mortimer)
BARBER (Mortimer)
BEETHOVEN (Mortimer)
STRAUSS (Mortimer)
FLETCHER (Moren)
VERDI (Hendriks)
VERDI (Hendriks)
ALBENIZ (Valta)
SCHUBERT (Naulais)
SCHUBERT (Naulais)
SCHUBERT (Naulais)
SCHUBERT (Naulais)
Arr.: MORTIMER
BACH (Naulais)
BACH (Naulais)
OFFENBACH (Mortimer)
PACHELBEL (Oliver)
TCHAIKOVSKY (Schneiders)
PAGANINI (King)
PAGANINI (Mortimer)
PAGANINI (Mortimer)
BIZET (Suba)
GIORDANI (Naulais)
GIORDANI (Naulais)
GIORDANI (Naulais)
VERDI (Hendriks)
VERDI (Hendriks)
VERDI (Oliver)
VERDI (Oliver)
NARRO (Hendriks)
ALBRECHTSBERGER
(Szepansky)
BELLINI (Arr.: Andrews)
VIVALDI (Mortimer)
TCHAIKOWSKY (Mortimer)
MONTI (Reift)
MONTI (Reift)
MONTI (Reift)
MONTI (Reift)
Arrangement of the Classic (Fortsetzung - Continued - Suite)
EMR 10280
Im Volkston
GRIEG (Andrews)
Introduction, Theme and Variations
EMR 10386
ROSSINI (Oliver)
(Clarinet Solo)
EMR 11742
EMR 10117
EMR 10117C
EMR 11074
EMR 11323
EMR 10354
EMR 1638
EMR 11091
EMR 10481
EMR 1654
EMR 10985
EMR 10983
EMR 10984
EMR 1853
EMR 1660
EMR 1735
EMR 10111
EMR 10872
EMR 11634
EMR 11043
EMR 11349
EMR 10254
EMR 11611
EMR 10266
EMR 1845
EMR 11384
EMR 10635
EMR 10981
EMR 1855
EMR 1420
EMR 1574
EMR 10347
EMR 10910
EMR 11358
EMR 10128
EMR 1050
EMR 11071
EMR 11066
EMR 1639
EMR 10892
EMR 11429
EMR 11041
EMR 10158
EMR 10156
EMR 10156M
EMR 11373
EMR 11060
EMR 1085
EMR 1132
EMR 10929
EMR 11207
EMR 10351
EMR 10352
EMR 10353
EMR 1856
EMR 10959
EMR 1854
EMR 10123
EMR 10124
EMR 11128
EMR 11489
EMR 11117
EMR 10108
EMR 11014
EMR 11229
Italian Polka
Jesu, Joy of man's desiring
Jesu, Joy of man's desiring (Chorus SATB)
Jubilee March
Jupiter
La Danza
La forza del destino
La Gazza Ladra
La Péri
Lacrimosa & Dies Irae (Amadeus)
Largo from Xerxes
Largo from Xerxes (Chorus SATB)
Largo from Xerxes (Solo Voice)
Largo Symphony No 9 "The New World"
Lascia ch'io pianga (Farinelli)
Liebestraum
Light Cavalry - Overture (Version in Ab)
Light Cavalry - Overture (Version in Bb)
March Of The Toy Soldiers
March Slave
Marche Funèbre
Marche Militaire
Marche Militaire Française
Mars
Mattinata
Maurerische Trauermusik
Meditation From Thaïs (Solo)
Moonlight Serenade
Morning Mood
Moscow Nights
Moscow Nights (Chorus SATB)
Moto Perpetuo
Moto Perpetuo (Clarinet Solo)
Moto Perpetuo (Cornet or Trumpet Trio)
Nabucco - Overture
Nessun Dorma
Nessun Dorma (Chorus SATB)
Nessun Dorma (Solo)
Night On The Bare Mountain
Nimrod
Nimrod
Nutcracker March
Ode To Joy
Ode To Joy (Chorus SATB)
Ode To Joy (Male Chorus)
Ode To Joy (Organ Solo)
Orpheus in the Underworld
Overture 1812
Overture in D minor
Passacaglia in C
Pavane
Plaisir d'amour
Plaisir d'amour (Chorus SATB)
Plaisir d'amour (Solo Voice)
Poco Allegretto From "Symphony No. 3"
Poet and Peasant
Polovtsian Dances
Pomp And Circumstance Nr. 1
Pomp And Circumstance Nr. 1 (Chorus SATB)
Pontifical March
Prelude To Werther
Prince Igor (Overture)
Procession Of The Nobles (Opera Mlada)
Procession Of The Sardar
Requiem
EMR 10273
Rhapsody in Blue (Clarinet Solo)
EMR 10270
Rhapsody in Blue (Trumpet Solo)
EMR 11430
EMR 11484
EMR 1872
EMR 11099
EMR 10149
EMR 1976
Rigaudon
Rigoletto (Preludio)
Romance
Romeo & Juliet
Ruslan and Ludmilla
Russian Sailors Dance
BIZET (Mortimer)
EMR 1637
Saraband & Trio (Barry Lyndon)
BIZET (Mortimer)
EMR 1859
Scheherazade
GRIEG (Mortimer)
DINICU (King)
BERLIOZ (Mortimer)
HOLST (Mortimer)
EMR 1754
EMR 1051
EMR 10204
EMR 10205
EMR 1873
Serenade
Siegfrieds Trauermarsch
Sinfonia Pastorella (Alphorn in F)
Sinfonia Pastorella (Alphorn in Gb)
Slavonic Dance
MONTI (Reift)
MONTI (Richards)
SMETANA (Mortimer)
MOZART (Naulais)
MOZART (Mortimer)
STRAUSS (Sip)
SMETANA (Mortimer)
MOZART (Sip)
MOZART (Naulais)
MONTEVERDI (Naulais)
CATALANI (Mortimer)
BEETHOVEN (Mortimer)
WAGNER (Mortimer)
BIZET (Sip)
HALVORSEN (Mortimer)
HÄNDEL (Richards)
IRELAND (Mortimer)
CHABRIER (Schneiders)
BACH (Naulais)
HANDEL (Naulais)
SUPPE (Mortimer)
GOUNOD (Andrews)
STRAUSS (King)
SAINT-SAENS (Mortimer)
RIMSKY-KORSAKOV (Oliver)
RIMSKY-KORSAKOV (Andrews)
RIMSKY-KORSAKOV (Andrews)
CHOPIN (Mortimer)
GOUNOD (Mortimer)
PURCELL (Andrews)
PURCELL (Andrews)
PONCHIELLI (Tailor)
SARASATE (Tailor)
GIGOUT (Oliver)
GIGOUT (Naulais)
RACHMANINOFF (Valta)
BACH (Mortimer)
BACH (Mortimer)
STRAUSS (Sedlak)
HOLST (Debs)
ROSSINI (King)
VERDI (Mortimer)
ROSSINI (Mortimer)
DUKAS (Oliver)
MOZART (Mortimer)
HÄNDEL (Oliver)
HÄNDEL (Oliver)
HÄNDEL (Oliver)
DVORAK (Mortimer)
HÄNDEL (Mortimer)
LISZT (Mortimer)
SUPPE (Sip)
SUPPE (Sip)
PIERNE (Mortimer)
TCHAIKOVSKY (Mortimer)
DAVID (Naulais)
SCHUBERT (Saurer)
SAINT-SAENS (Mortimer)
HOLST (Mortimer)
LEONCAVALLO (Schneiders)
MOZART (Naulais)
MASSENET (Mortimer)
BEETHOVEN (Mortimer)
GRIEG (Mortimer)
TRADITIONAL (Richards)
TRADITIONAL (Richards)
PAGANINI (Mortimer)
PAGANINI (Andrews)
PAGANINI (Andrews-Moren)
VERDI (Sip)
PUCCINI (Mortimer)
PUCCINI (Mortimer)
PUCCINI (Mortimer)
MUSSORGSKY (Mortimer)
ELGAR (Oliver)
ELGAR (Naulais)
TCHAIKOVSKY (Oliver)
BEETHOVEN (Richards)
BEETHOVEN (Richards)
BEETHOVEN (Richards)
BEETHOVEN (Naulais)
OFFENBACH (Naulais)
TCHAIKOWSKY (Mortimer)
HÄNDEL (Wüthrich)
BACH (Naulais)
FAURE
MARTINI (Richards)
MARTINI (Richards)
MARTINI (Richards)
BRAHMS (Mortimer)
SUPPE (Naulais)
BORODINE (Mortimer)
ELGAR (Hendriks)
ELGAR (Hendriks)
WIDOR (Richards)
MASSENET (Mortimer)
BORODIN (Mortimer)
RIMSKY-KORSAKOV (Sip)
IPPOLITOV-IVANOV (Richards)
MOZART (Mortimer)
GERSHWIN (DokshitserAndrews)
GERSHWIN (DokshitserAndrews)
CAMPRA (Naulais)
VERDI (Mortimer)
TCHAIKOVSKY (Mortimer)
TCHAIKOVSKY (Mortimer)
GLINKA (Mortimer)
GLIERE (Gourlay)
HÄNDEL / SCHUBERT
(Mortimer)
RIMSKY-KORSAKOV
(Mortimer)
SCHUBERT (Schneiders)
WAGNER (Mortimer)
MOZART (Richards)
MOZART (Richards)
DVORAK (Tailor)
Editions Marc Reift ● CH-3963 Crans-Montana (Switzerland) ● Tel. +41 (0) 27 483 12 00 ● Fax +41 (0) 27 483 42 43 ● [email protected] ● www.reift.ch