Spiriti - Jukka Tiensuu

Spiriti
for Accordion and Orchestra
Jukka Tiensuu 2005
Jukka Tiensuu:
Spiriti (2005)
Concerto for Accordion and Orchestra
Instrumentation:
2 flutes (also piccolo)
2 oboes
2 clarinets in Bb
2 bassoons
2 horns in F
2 trumpets in C
Timpani
Accordion solo
Strings (4.4.2.2.2 minimum)
Performance note
The form of Spiriti is cyclic, i.e. the performance may begin with any movement and end with any, as long as the order of the movements is
kept, and each movement played at least once. Always attacca, i.e. no extra pauses between movements.
Accidentals apply till the end of the bar. However, they are occasionally repeated to facilitate sight-reading.
Ornaments: mordent: , pralltrill:
(start from above), vibrato slow:
fast:
(when combined means vibr. accel. or rall.)
Tremoli are always measured (1/16-, 1/32- or 1/64-notes).
Dynamics as usual, refer more to the physical effort than to the actual loudness. It is left to the conductor to fine adjust the dynamic
balance between the instruments.
Glissandi are played evenly during the indicated time (not portamento).
glissando. Where an even glissando is not obtainable, simulate it by strong bendings within a (chromatic) scale.
A small note-head at the end of the glissando-sign only shows the approximate ending pitch, it is not articulated.
Likewise, normal notes in the middle of glissando are for orientation only, they are not to be re-attacked.
quasi gliss As the character of the glissando - and not the actual in- between notes - is important here, the performer may do small changes
in the written pitches except for the first and the last pitch, if necessary to facilitate the performance of a rapid "glissando".
(E.g. using alternative "not-so-good" fingerings, transposing a tone half-step up or down or, in the extreme case, leaving out
one note altogether.)
_
tenuto, play note to the full length.
.
normal staccato. For the clarity of writing used often as short-hand to indicate a shortish 16th-note.
short, sharp staccato (regardless of the written length of the note).
A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
o
o
l.v.
A small pitch deviation, minimum 1/8-tone, maximum 1/6-tone higher/lower than the written note.
dal niente/start from nothing (i.e. the audience should not be able to hear when the sound begins).
al niente/let sound die (the last notes need not be heard by the audience)
let vibrate
Accordion:
x
l.v.
l.v. poco
Registers and fingering according to the Finnish button accordion system. For other systems, the accordionist should makes his
or her own adjustments trying to get as close to the original as possible.
Suoni reali, i.e. when combination registers are used, the lowest sounding octave is notated.
Release the indicated (depressed) key at this point
Leave keys down as long as convenient (until marked by x, see above)
Lave keys down long enough to result in ca. 3-4 notes sounding at any one time. This always refers to both staves. You can
divide the passage between hands differently than indicated, if necessary to facilitate the execution, aslong as you select as
identically sounding registers as possible. For an example, see model in movement II.
Start and end marks of continues "bellows-shake" (the keys are pressed down before the bellows are activated and the rhythm is
produced by the bellows, only).
additional notes:
The repeat in bars 61-70 of Scatto finale is optional.
The dynamics of bar 170 in Scatto finale is f if movement I follows, otherwise ff.
Decreasing sizes of note-heads are occasionally used to visualize the disappearence of sound (al niente). Even when not, the diminuendi esp.
in mvt IV, difficult as they may feel, should strive for extreme quietness, even on the risk of the last notes not being heard.
Spiriti
Concerto for Accordion and Orchestra
I. Introduzione
Jukka Tiensuu 2005
=112 Allegro ispirando
1
fl1
poco
dim.
poco
dim.
poco
dim.
fl2
ob1
ob2
cl1
cl2
3
3
3
bn1
poco
dim.
poco
dim.
bn2
hn1
hn2
tpt1
tpt2
tmp
j
Ac
f
div.
v1
(div.)
v2
(div.)
va
div.
(div.)
unis.
vc
div.
pizz.
cb
poco
Copyright © Jukka Tiensuu 2015
dim.
3
2
5
fl1
fl2
ob1
ob2
3
3
cl1
cl2
3
3
3
3
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(cluster gliss.)
Ac
6
dolce
(overlapping, quasi gliss.)
v1
v2
va
vc
cb
3
fl1
3
rall. p. a p.
12
fl2
ob1
ob2
3
3
3
3
cl1
3
3
3
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
3
3
3
3
3
3
tmp
rall. p. a p.
p. a p. cresc.
Ac
pizz. (l.v.)
v1
v2
va
vc
cb
3
3
3
3
4
fl1
=40
17
fl2
ob1
ob2
5
5
5
5
3
cl1
3
3
cl2
bn1
bn2
3
3
3
3
3
3
hn1
hn2
tpt1
tpt2
tmp
=40
(l.v.)
Ac
3
piu
arco
v1
(div.)
(id.)
v2
va
sul C
vc
arco
cb
sul E
fl1
fl2
=80
20 muta in piccolo
piccolo
muta in piccolo
piccolo
ob1
ob2
cl1
cl2
bn1
bn2
3
3
3
3
hn1
hn2
tpt1
tpt2
tmp
=80
legatissimo (l.v. poco)
Ac
(8va bassa)
(8va bassa)
8va
(unis.)
v1
6
6
v2
va
vc
cb
unis., marcato sulla corda
legatissimo
div.
div.
3
3
5
6
24
fl1
6
fl2
ob1
ob2
cl1
cl2
bn1
bn2
3
3
3
3
3
3
hn1
hn2
tpt1
tpt2
tmp
Ac
8va
8va
8va
v1
poco
v2
va
vc
3
cb
3
non div.
3
3
3
29
muta in flauto
fl1
7
=30
rall. molto
fl2
3
poco
ob1
ob2
(sotto voce)
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
=30
rall. molto
Ac
1.-4.soli
8va
v1
3
poco
1.-4.soli
v2
va
vc
div.
unis.
cb
3
3
(non div.)
8
fl1
attacca
34
muta in flauto
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
harmon mute
tpt1
harmon mute
tpt2
slow + o + o...
+
+
slow + o + o...
tmp
attacca
Ac
senza vibr.
tutti div.
v1
v2
va
l.v.
senza vibr.
tutti div.
l.v.
senza vibr.
div.
l.v.
senza vibr.
l.v.
vc
senza vibr.
cb
div.
unis.
( )
l.v.
II. Elevazione
=30 Lento celeste
1
9
Jukka Tiensuu 2005
(cassotto)
l.v.
Ac
fl1
l.v.
6
,
()
fl2
ob1
ob2
cl1
cl2
hn1
hn2
con sord.
tpt1
prc
(tacet)
8va
(let tones die one by one)
Ac
l.v.
poco
poco
( )
v.1
v.2
va
vc
cb
10
fl1
11
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
8va
con ardore
,
( )
v.2
va
vc
cb
( )
(vibrati espressivi)
( )
poco
Ac
v.1
,
( )
( )
11
fl1
16
fl2
ob1
ob2
cl1
cl2
bn1
3
bn2
3
hn1
hn2
tpt1
tpt2
prc
(legato)
v.2
va
vc
div.
div.
div.
div.
div.
cb
l.v.
5
poco
Ac
v.1
8va
(loco)
12
fl1
21
poco
fl2
ob1
ob2
cl1
poco
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
l.v. poco
l.v.
Ac
unis.
v.1
poco
unis.
v.2
unis.
va
unis.
vc
cb
13
fl1
26
fl2
ob1
ob2
(sotto voce)
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
con sord.
prc
Ac
B.S.
Performed (model):
l.v. poco
Ac
v.1
v.2
va
vc
div.
div.
div.
div.
div.
cb
1.-4.soli
1.-4.soli
14
fl1
30
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
Ac
l.v. poco
(poco)
Ac
N.B. Individual entries should not
be covered by the sustained tones.
n.v.
tutti
v.1
n.v.
tutti
v.2
va
vc
cb
n.v.
unis.
unis.
n.v.
15
fl1
36
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
l.v. poco
8va
Ac
div.
v.1
poco sul pont.
3
v.2
(tremoli misurati)
poco sul pont.
3
va
vc
cb
trem. molto rall.
(tremoli misurati)
3
trem. molto rall.
3
16
fl1
43
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
(l.v.)
(l.v.)
poco
piu 3
3
Ac
3
( )
3
ord. div.
v.1
ord. div.
v.2
div.
va
div.
vc
div.
cb
17
fl1
47
attacca
muta in piccolo
muta in piccolo
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
prc
B.S. "shivering"
8va
Ac
3
3
3
v.1
v.2
va
vc
cb
trem. molto rall.
3
unis.
non vibr.
unis.
non vibr.
unis.
non vibr.
unis.
non vibr.
unis.
non vibr.
attacca
18
III. Esaltazione
=96 Allegretto acceso
Jukka Tiensuu 2005
8va sempre
1
Ac
poco
3
(l.h.)
3
3
(l.h.)
(l.h.)
7
Ac
(l.h.)
(l.h.)
10
Ac
(l.h.)
3
3
3
17
Ac
(l.h.)
21
fl1
picc.
6
fl2
picc.
Ac
8va
8va
1.+2. soli
8va
v1
6
6
v2
33
fl1
3
fl2
3
Ac
3
(l.h.)
3
3
(l.h.)
v1
3
v2
19
40
fl1
fl2
(
Ac
)
poco
(8va sempre)
v1
v2
45
fl1
fl2
3
Ac
v1
v2
div.
6
cb
3
53
3
fl1
6
6
fl2
Ac
8va
8va
tutti
v1
v2
non div.
cb
3
20
61
fl1
(quasi gliss.)
fl2
3
Ac
(l.h.)
v1
v2
cb
67
3
3
fl1
fl2
bn1
bn2
Ac
8va
v1
v2
vc
cb
3
3
(l.h.)
21
73
fl1
3
fl2
3
bn1
3
bn2
Ac
1.+2. soli
8va
v1
3
v2
vc
6
cb
80
fl1
fl2
bn1
bn2
Ac
8va
8va
v1
8va
v2
vc
cb
6
8va
6
22
85
(quasi gliss.)
fl1
6
fl2
bn1
bn2
Ac
8va
tutti
v1
v2
vc
non div.
cb
3
91
3
fl1
fl2
bn1
bn2
(wide gliss. with variable speed)
8va bassa
Ac
8va
v1
v2
vc
cb
poco
23
100
fl1
6
fl2
bn1
poco
bn2
poco
(B.S.)
Ac
sempre
1.+2. soli
8va
v1
v2
vc
poco
cb
107
fl1
fl2
bn1
bn2
(l.v. poco)
(l.h.)
Ac
8va
tutti
8va
v1
v2
vc
cb
3
3
6
24
112
fl1
fl2
bn1
bn2
hn1
hn2
15ma
Ac
8va
3
8va
v1
v2
vc
cb
3
8va
3
3
3
3
25
120
fl1
fl2
bn1
bn2
hn1
hn2
15ma
Ac
8va
3
v1
v2
vc
cb
3
3
3
3
26
129
fl1
(subito)
fl2
(subito)
ob1
3
3
3
3
3
3
cl1
bn1
bn2
hn1
hn2
8va sempre
Ac
8va sempre
v1
v2
vc
cb
136
Ac
3
27
142
fl1
3
fl2
ob1
cl1
bn1
3
bn2
3
3
3
hn1
hn2
(fingering for button-accordion:)
4
4
1
15ma
Ac
1
3
2
2
(l.h.)
8va
8va
1.+2. soli
v1
6
6
v2
va
vc
cb
3
div.
3
3
3
3
28
148
muta in flauto
fl1
muta in flauto
fl2
ob1
ob2
cl1
cl2
bn1
3
bn2
3
hn1
hn2
con sord.
tpt2
con sord.
tpt2
tmp
15ma
l.v.
(loco)
cadenza ad lib.
3
Ac
8va
tutti
v1
v2
va
pizz.
vc
cb
3
3
pizz.
29
157
attacca
fl1
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
con sord.
via sord.
con sord.
via sord.
tpt2
tpt2
tmp
8va
Ac
8va
(non spiccato)
v1
(non spiccato)
v2
(non spiccato)
va
vc
cb
attacca
30
fl1
1
=40 Adagio tetro
IV. Incubo nostalgico
Jukka Tiensuu 2005
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
sempre
tpt2
sempre
tmp
( )
Ac
v1
v2
va
vc
cb
poco
fl1
31
8
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(non cassotto)
Ac
8va
l.v. poco
3
3
3
3
v1
v2
div.
va
div.
vc
div.
cb
32
fl1
12
fl2
ob1
ob2
cl1
(non dim.)
cl2
(non dim.)
bn1
(non dim.)
bn2
(non dim.)
hn1
(non dim.)
hn2
(non dim.)
tpt1
tpt2
tmp
l.v. poco
espressivo
Ac
v1
v2
va
vc
cb
(m)
(l.v. poco, come prima)
3
3
cantabile
3
3
fl1
33
18
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
3
l.v.
Ac
v1
(div.)
v2
va
vc
cb
div.
34
fl1
22
fl2
ob1
ob2
cl1
cl2
3
bn1
bn2
hn1
3
hn2
tpt1
tpt2
tmp
legatissimo (l.v. poco)
l.v.
Ac
(
v1
v2
va
vc
cb
unis., marcato sulla corda
div.
)
fl1
35
27
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
3
Ac
v1
v2
va
vc
cb
3
3
3
36
fl1
30
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
3
3
Ac
v1
(unis.)
(div.)
v2
va
vc
cb
div.
fl1
37
33
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(cassotto)
6
3
3
3
Ac
v1
v2
va
vc
cb
(div.)
(div.)
(div.)
l.v. poco
38
fl1
37
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
( )
( )
l.v. poco
3
3
3
Ac
v1
v2
va
(unis.)
vc
cb
(unis.)
fl1
39
42
fl2
ob1
ob2
3
3
cl1
3
3
cl2
3
bn1
3
3
bn2
3
3
3
hn1
3
hn2
3
tpt1
tpt2
tmp
(l.v.)
l.v.
(l.v.)
3
Ac
3
(unis.)
v1
3
v2
va
vc
cb
(div.)
(unis.)
(div.)
(unis.)
(div.)
40
fl1
46
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(non cassotto) l.v. poco
8va
Ac
3
8va
3
v1
(div.)
(unis.)
8va
8va
v2
va
vc
cb
(unis.)
fl1
41
50
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(gliss. ord.)
Ac
(chrom. overlapping, quasi gliss.)
(div.)
v1
v2
va
(div.)
vc
cb
42
fl1
attacca
53
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(l.v.)
Ac
(unis.)
v1
(div.)
(unis.)
(div.)
(unis.)
v2
va
(unis.)
vc
cb
B.S.
(1/32 triplets)
( )
attacca
43
V. Scatto finale
fl1
1
=120 Presto chiassoso
Jukka Tiensuu 2005
(tremoli misurati, non flz)
(tremoli misurati, non flz)
fl2
ob1
ob2
(tremoli misurati, non flz)
cl1
(tremoli misurati, non flz)
cl2
bn1
bn2
(tremoli misurati, non flz)
hn1
(tremoli misurati, non flz)
hn2
tpt1
tpt2
tmp
Ac
v1
v2
va
cb
simile
sul pont.
sul pont.
vc
simile
sul pont.
simile
simile
sul pont.
sul pont.
simile
44
fl1
8
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
poco
tpt2
poco
tmp
Ac
v1
v2
va
vc
cb
45
molto legato
12
3
3
3
3
3
3
3
3
3
Ac
v1
v2
va
vc
cb
fl1
16
fl2
ob1
ob2
cl1
cl2
3
bn1
bn2
3
Ac
3
3
cresc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
46
20
Ac
v1
v2
6
6
6
6
6
6
6
6
6
6
5
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
5
6
6
6
6
6
6
6
6
3
va
vc
cb
5
5
5
5
5
5
5
23
Ac
v1
v2
va
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
3
3
vc
6
6
6
6
6
6
cb
5
5
5
5
5
5
5
5
5
5
47
fl1
26
fl2
3
3
ob1
3
3
3
3
3
3
ob2
cl1
cl2
bn1
bn2
hn1
hn2
3
tpt1
tpt2
tmp
3
Ac
3
v1
v2
va
vc
cb
3
3
3
3
3
48
fl1
30
fl2
3
ob1
3
3
3
3
3
3
ob2
cl1
cl2
3
bn1
3
3
3
...3
Ac
3
3
3
3
...3
3
3
fl1
33
fl2
ob1
3
3
3
3
ob2
cl1
cl2
bn1
3
3
8va
Ac
legatissimo (overlapping)
6
6
6
6
49
fl1
37
6
3
5
6
fl2
6
ob1
6
ob2
6
cl1
5
5
6
cl2
5
5
bn1
6
bn2
6
3
3
3
3
3
hn1
hn2
tpt1
tpt2
tmp
8va
Ac
(B.S.)
subito
v1
v2
va
vc
cb
div.
unis.
50
legatissimo
40
Ac
subito cresc. molto
molto sul pont.
6
v1
molto sul pont.
6
v2
molto sul pont.
6
va
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
5
5
6
molto sul pont.
vc
6
molto sul pont.
cb
5
fl1
5
42
cl2
non legato
non legato
non legato
Ac
v2
va
vc
cb
(B.S. sempre)
6
6
v1
5
non legato
ob1
cl1
5
3
ord.
non legato
ord.
non legato
ord.
non legato
6
51
6
46
3
Ac
div. (non spicc.)
non div.
div.
div. (non spicc.)
non div.
div.
v1
v2
(non spicc.)
va
ord.
vc
ord.
cb
(non spicc.)
(non spicc.)
(chrom.)
50
Ac
3
v1
3
v2
3
va
ord.
vc
ord.
cb
3
3
52
fl1
54
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(B.S.)
(B.S.)
Ac
v1
v2
va
vc
cb
53
fl1
58
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
non legato sempre
Ac
v1
v2
va
vc
cb
(
)
(
)
54
62
Ac
8va
68
70
Ac
8va
73
Ac
78
Ac
cl1
(m)
81
3
3
3
cl2
3
3
Ac
va
3
3
vc
3
55
cl1
85
3
3
cl2
5
3
3
3
5
Ac
va
5
3
vc
3
cl1
89
3
5
3
3
3
3
cl2
3
Ac
va
3
3
vc
3
cl1
93
cl2
Ac
pizz.
va
pizz.
vc
3
56
3
97
3
Ac
101
Ac
105
3
Ac
109
Ac
3
113
6
Ac
116
Ac
3
3
3
57
fl1
119
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
poco
tpt2
poco
tmp
Ac
div.
v1
div.
(div.)
v2
va
vc
div.
arco
arco
div.
unis.
(div.)
(div.)
cb
58
fl1
124
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
.
.
.
unis.
v1
div.
v2
unis.
va
div.
vc
pizz.
cb
arco
unis.
59
fl1
127
6
6
6
3
fl2
5
5
5
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
div.
v1
6
legatissimo
6
6
6
div.
v2
5
legatissimo
va
vc
cb
5
5
5
5
60
fl1
130
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
unis.
v1
unis.
v2
va
vc
cb
unis.
pizz.
61
fl1
134
fl2
ob1
ob2
cl1
cl2
bn1
bn2
3
3
3
3
3
3
3
3
3
hn1
hn2
tpt1
tpt2
tmp
6
Ac
v1
v2
va
vc
cb
3
62
fl1
138
fl2
ob1
ob2
cl1
cl2
5
5
5
5
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
8va
Ac
poco dim.
( )
cresc.
non div.
v1
non div.
v2
(non spicc.)
(non spicc.)
(non spicc.)
va
(non spicc.)
vc
cb
arco
(non spicc.)
63
fl1
5
142
5
fl2
quasi gliss.
5
5
quasi gliss.
5
5
quasi gliss.
5
5
quasi gliss.
5
5
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
div.
non div.
div.
non div.
div.
div.
non div.
div.
non div.
div.
v1
v2
va
vc
cb
64
fl1
146 quasi gliss.
3
3
3
3
quasi gliss.
fl2
quasi gliss.
5
5
5
5
quasi gliss.
5
5
5
5
quasi gliss.
5
5
5
5
quasi gliss.
5
5
5
5
5
5
5
5
5
5
5
5
ob1
ob2
cl1
cl2
quasi gliss.
bn1
quasi gliss.
bn2
hn1
hn2
tpt1
tpt2
tmp
Ac
div.
non div.
div.
div.
non div.
div.
v1
v2
va
vc
cb
unis.
pizz.
unis.
pizz.
pizz.
pizz.
pizz.
65
150
(chrom.)
Ac
fl1
152
fl2
ob1
ob2
3
3
3
3
3
3
3
3
3
3
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
Ac
arco
v1
arco
v2
vc
pizz.
cb
3
3
66
fl1
156
fl2
ob1
ob2
cresc.
cl1
cresc.
cl2
cresc.
bn1
cresc.
bn2
cresc.
hn1
cresc.
hn2
cresc.
tpt1
tpt2
tmp
(B.S.)
(B.S. sempre)
Ac
v1
v2
arco
va
cresc. poco a poco
arco
vc
cb
pizz.
div{ 1.
2. spicc.
cresc. poco a poco
unis. spicc.
cresc. poco a poco
67
fl1
162
fl2
ob1
cresc.
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(chrom.)
Ac
sempre
8ba
8ba
v1
v2
va
(sul C)
vc
cb
martellato
68
fl1
(attacca 1st mvt.)
166
fl2
ob1
ob2
cl1
cl2
bn1
bn2
hn1
hn2
tpt1
tpt2
tmp
(attacca 1st mvt.)
Ac
8ba
8ba
v1
v2
va
flautando
ord.
vc
flautando
ord.
cb