Miriam S. De Rosa Curriculum Vitae et Studiorum

Miriam S. De Rosa
Curriculum Vitae et Studiorum
Miriam Stefania De Rosa
E-mail: [email protected]
Education
June 2011 Ph.D. in Culture della Comunicazione (Culture of communication; ssd L-Art/06), Università
Cattolica del Sacro Cuore, Milan (full 3 years scholarship + individual research at the University Sorbonne
Nouvelle – Paris 3)
Dissertation: Spazio e immagine nell’esperienza filmica contemporanea. Questioni di design e cultura
visuale. (Space and Image in the Contemporary Filmic Experience. Design and Visual Culture Issues)
Advisors: Proff. Francesco Casetti, Ruggero Eugeni
> Full evaluation in the attached supporting documents
2007 MA (with honors) in Teoria e Tecniche della Comunicazione Mediale (Theory and technologies of
media communication), Università Cattolica del Sacro Cuore, Milan
Dissertation: CINEMA. Festa Internazionale di Roma: l’evento culturale e le relative strategie di marketing
esperienziale. (CINEMA. Festa Internazionale di Roma: cultural event and experiential marketing
strategies)
Academic Activity
October 2014-January 2015 (ongoing) DAAD Research Grant, Goethe Universität – Frankfurt, Institut
für TFM-Filmwissenschaft
Project: Cinema and the Gallery: Encounters in the Post-media Age
Local reference: Prof. Vinzenz Hediger
> Certificate of award in the attached supporting documents
a.a. 2014-15 (ongoing) Università Cattolica del Sacro Cuore, Milan
Adjunct professor for the class of Institutions of History of Cinema, ssd L-Art/06, 6 ECTS.
Keywords: history of cinema, new film history.
a.a. 2013-14; 2014-15 (ongoing) Università degli Studi dell’Insubria, Varese – Como (Como campus)
Adjunct professor for the class of Cinema, photography and television, ssd L-Art/06, 11 ECTS.
Keywords: postmedia, medium specificity, post-cinema, mobile cinema, locative media, convergence,
remediation, relocation, intermediality.
a.a. 2013-14 Università Cattolica del Sacro Cuore, Milan
Teaching assistant and lecturer for the seminar attached to the class of Audiovisual Media Policies (Prof.
W. Strauven), ssd L-Art/06
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Keywords: tactility, experience, filmic device, mediascape, urban ethnography, field research.
a.a. 2012-13; 2013-14 Università Cattolica del Sacro Cuore, Milan
Adjunct professor for the seminar of Audiovisual cultures, ssd L-Art/06, 2 ECTS.
Keywords: cinema and visual arts, intermediality, remediation, visual culture.
a.a. 2010-11; 2011-12; 2012-13 Università Cattolica del Sacro Cuore, Milan
Teaching assistant and lecturer for the seminar attached to the class of Pragmatics of Media
Communication (prof. R. Eugeni), ssd L-Art/06
Keywords: experience, filmic experience, expanded cinema, screen media, sensitive environments,
relational aesthetics, video-storytelling, audiovisual geography.
a.a. 2008-9; 2009-10 Università Cattolica del Sacro Cuore, Milan
Teaching assistant and lecturer for the seminar attached to the class of Communication and Citizenship
(Proff. D. Boffo, A. Zaccuri), ssd SPS-08
Keywords: visual culture, medial experience, media hyper-saturation, media consumption.
2008 – today Università Cattolica del Sacro Cuore, Milan
Supervision of bachelor and master students.
2007 – today Dept. of Communication & Performing Arts, Università Cattolica del Sacro Cuore, Milan
Research teamwork for the following projects funded by the Italian Ministry of Education and
University:
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Action D.1/2011: Dagli urlatori agli auricolari. Il suono del cinema italiano: modi di produzione,
forme di consumo (From Shouters to Head-phones. Sound in Italian Cinema: Modes of
Production, Forms of Consumption); Scientific director, prof. Ruggero Eugeni;
Action D.3.1/2011: funding application for publishing initiatives (positive result; publication
released: M. De Rosa, Cinema e Postmedia. I territori del filmico nel contemporaneo, Postmedia
Books, Milano 2013);
Action D.1/2010: Media, autobiografismi, confidenze. La rappresentazione e il racconto di sé nel
panorama mediale contemporaneo (Media, Autobiographisms, Disclosures. Representation and
self-narration in the Contemporary Media Scenario); Scientific director, prof. Ruggero Eugeni;
Action D.1/2009: Documentare e narrare nell’epoca del 2.0. Come l’esperienza dell’utente
cambia i regimi discorsivi del testo audiovisivo (Document and Narrate in the 2.0 Age. How the
User’s Experience changes the Audio-visual Discourse); Scientific director, prof. Mariagrazia
Fanchi;
Action D.1/2008: La dislocazione degli schermi. La creazione dei contenuti e formati mediali
nell’era del multipiattaforma (Screen Relocation - Creation of Medial Contents and Formats in the
Multi-Platform Age); Scientific director, prof. Ruggero Eugeni
Teaching assistant for the following classes:
Audiovisual Media Policies (Prof. W. Strauven)
Pragmatics of Media Communication (Proff. F. Casetti, R. Eugeni)
Cultural History of Audiovisual Media and Languages (Prof. M. Fanchi)
Media Products Marketing; Sociology of Consumption (Prof. S. Gnasso)
History of Italian Cinema (Prof. R. Della Torre)
Communication and Citizenship (Proff. D. Boffo, A. Zaccuri)
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Further Professional Experiences
November 2014 – today (ongoing) CINERGIE – il cinema e le altre arti, http://www.cinergie.it
Co-editor of the section Art&Media files of the journal (texts planning, selection, scheduling and revision,
copy-editing, and publication organisation).
February 2014 – today (ongoing) NECSUS, European Journal of Media Studies, necsus-ejms.org
Co-editor of the exhibition review section of the journal (texts planning, selection, scheduling and revision,
copy-editing, and publication organisation).
August 2013 – today (ongoing) Screencity Lab – cultural association, screencitylab.net
Co-founder; Research and counselling activity dealing with multimedia, information & digital technology,
smart city, urban-screen, public art, media-architecture & informational architecture, design, digital
production and new media, heritage requalification and valorisation. Editor of Screencity Journal
(academic quarterly online publication).
June 2013 – today (ongoing) Pirate Cinema, Maldive Pavillion, 55. Biennale d’Arte di Venezia,
piratecinema.nl
Member of the artistic project crew and co-curator (with Heath Iverson) of the film program presented in
the frame of the Maldive Pavillion, at the 55. Biennale d’Arte di Venezia.
October 2011 – today (ongoing) Publication Committee & NECS Graduate Workshop Organization –
European Network of Cinema and Media Studies, necs.org
Editorial collaboration, internal communication and network PR activity.
Graduates workshop full organization (scientific planning; call for papers composition and promotion,
editing, publishing; fund raising; participants selection; chairing).
List of the organized initiatives:
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11th NECS Graduate Workshop, Contemporary perspectives on the City: Screen Media and
Dwelling, Milan, 17-18 June 2014 (full organisation and chairing)
10th NECS Graduate Workshop, Media Archaeology and the Digital Media, Udine, 3-4 April 2014,
(support and chairing)
6th NECS Graduate Workshop, Moving Images – Imagined Movements: Mobility in/of Film,
Vienna, 28 February - 1 March 2013, (full organisation and chairing)
4th NECS Graduate Workshop, Identities in Motion. New Visual Media Strategies, Lisbon, 19-20
June 2012 (full organisation and chairing)
September 2011 – today (ongoing) Bachelor students’ Internship co-coordinator (LiMed) – Università
Cattolica del Sacro Cuore, Milan
Human resources selection; internal/external communication; general coordination of the activation,
evaluation and academic attestation procedures; organisation of workshop activities for bachelor
students.
June 2010 – today (ongoing) International Master in Cinema and Audiovisual Studies – Almed |
Department of Communication & Performing Arts, Università Cattolica del Sacro Cuore, Milan,
imacsite.net
General project secretary (planning and reporting of international activities, interface with international
partners, project communication, web content provider); students scientific and administrative mentor
(research projects consulting; participants selection, management of incoming/outcoming procedures).
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April 2011 – June 2011 Soundtrack. Il cinema che si sente – Almed
Undergraduates summer school organisation; academic coordinator; students mentor.
2009 – 2011 Ph.Ds Delegate – Ph.D. school in Culture della comunicazione, Università Cattolica del
Sacro Cuore, Milan
Graduate students’ delegate at the Department of Communication & Performing Arts Council.
Fall 2008 – Fall 2011 Cinéma et Cie. – International Film Studies Journal, cinemaetcie.net
Member of the editorial staff (texts revision, copy-editing, peer-review process and publication
organisation).
January – December 2010 Master in Comunicazione e promozione del cinema – Almed
Initiative organisation and management; event project manager (round tables planning and release, open
lectures, unconventional PR and promotion).
May – December 2007 Labmedia – Media research and consulting
Junior researcher
Foreign Languages Skills
English: excellent written and oral
French: good written and oral
German: basic written and oral
Foreign languages certificates:
English: DAAD language assessment issued by the Catholic University of the Sacred Heart, Milan; First
Certificate English (FCE) issued by University of Cambridge; TOEPE Test issued by Melton College, York
UK; Michigan Test issued by Tulane University, New Orleans LA.
German: Zertificat Deutsch issued by Goethe-Institut (Milan, Italy).
Conferences
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Archive of/for the Future, NECS 2015 Conference, University of Lodz, 18-20 June 2015
(submission accapted)
paper title: “Spatializing the Archive: from Tabletop Performance to Desktop Cinema”
A switched-on TV: the arts in the black and white of the cathode ray tube, Université de
Montréal, exp. 25 March 2015 (submission accepted)
paper title: “TV/Video/Video-art: trajectories across the cathode ray tube and the white
cube”
SCMS 2015, Concordia University @ Fairmont the Queen Elizabeth, exp. 26 March 2015
(submission accepted)
Paper title: “Mapping post-cinema: space-image and the neo-places of the cinematic.”
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panel chairing – Theorizing Post-cinema: the cinematic in and out of the theatre
XXII Udine International Film Studies Conference, University of Udine, exp. 16-20 march 2015
paper title: Contaminated History of Art and Film: Thinking Topologically
Lecture, Ruhr University, Bochum, exp. 15 January 2015
lecture title: Cinema Outside Cinema
Video Art, 3rd Research Forum at the Alternative Video/Film Festival, Belgrade, 11 December
2014
invited as a respondent
Envisioning Beethoven, Kernel Mapping Cinema, Villa Tittoni Traversi, Desio (MI), 26
September 2014
public talk and chairing: “3D cinema and videomapping”
Landscape and environment, Screen Studies Conference, University of Glasgow, 28 June
2014
paper title: “Personal landscapes. Amos Gitai’s installations and the figure of home”!
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Creative energies | Creative industries, NECS 2014 Conference, Università Cattolica del
Sacro Cuore, Milan, 19 June 2014
paper title: “Constructing creativity: Yervant Gianikian’s and Angela Ricci Lucchi’s
analytical camera” (with Greg de Cuir, Jr.)
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Contemporary Perspectives on the City: Screen Media & Dwelling, 11th NECS Graduates
Workshop, Università Cattolica del Sacro Cuore, Milan, 17-18 June 2014
opening and chairing
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Media Archaeology and Digital Media, 10th NECS Graduates Workshop, University of Udine,
4 April 2014
panel chairing
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XXI Udine International Film Studies Conference, University of Udine, 3 April 2014
paper title: “In between archaeology and intermediality. !Notes on Yervant Gianikian and
Angela Ricci Lucchi’s installations”
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Fragmentation, 2nd Research Forum at the Alternative Video/Film Festival, Belgrade, 12
December 2013
paper title: “Frammenti elettrici. Yervant Gianikian and Angela Ricci Lucchi’s cinematic
embroidery”
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Cosmopolitan Screens, Screen Studies Conference, University of Glasgow, 29 June 2013
paper title: “Being there: the Subject before Cosmopolitanism”!
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Media Politics – Political Media, NECS 2013 Conference, Charles University, Prague, 20-22
June 2013
paper title: “The Eye in Captivity. Reflections on Surveillance Practices through the Prism
of Harun Farocki’s Work”!;
panel chairing Identity Policies – New Visual Media Strategies and Phenomenology
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Media Environments – Esperienze a confronto, Media Environments Workshop, Polytechnic
of Milan, Mantua campus, 19 April 2013
paper title: “Screencity, postcinema e cultura dell’interdisciplinarità. Note metodologiche”
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Expanded Cinema, Postgraduates Study Day, University of St. Andrews, 3 April 2013
paper title: “Expanding the Notion of Cinema. Notes on Moving Images in Everyday
Spaces”
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XI MAGIS – International Film Studies Spring School, University of Udine – Gorizia, 17 March
2013
paper title | section postcinema: “The ‘Cartographic Paradox’ in Film and After #3:
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Contemporary Visual Arts and Desire to Be (Here)”
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Moving Images – Imagined Movements: Mobility in/of Film, 6th NECS Graduates Workshop,
University of Vienna, 28 February – 1 March 2013
Pirate Cinema: an Installation about Cinema and Mobility: public conversation with artist
Ehsan Fardjadniya;
panel chairing Framing Mobility
Cinema of Intimacy, SERCIA Conference – XVII edition, Dijon, Burgundy University,
September 2012
paper title: “Architetture della Memoria: the Moving Image as Home of Intimacy”
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Digital Crossroads, Utrecht University, June 2012 – panel chairing Diaspora and the Space
Anchorage
paper title: “Geo-cultural Displacements. Notes for a Migratory Aesthetics of the Self in
Space”
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Bordercapes III, University of Trieste, 28 June 2012
paper title: “Betwixt and between: Notes for a Migratory Aesthetics of the Self in Space”
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Time Networks: Screen Media and Memory, NECS 2012 Conference, New University of
Lisbon and Coimbra, 23 June, 2012
paper title: “Geo-cultural Displacements. Notes for a Migratory Aesthetics of the Self in
Space”
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Identities in Motion – New Visual media Strategies, 4th NECS Graduates Workshop, New
University of Lisbon and Coimbra, 19-20 June 2012
Panel chairing
Media/City: New Spaces, New Aesthetics, Milan, Triennale Museum, 9 June 2012
paper title: “Cinematic Architectures INSITU. New spaces, New Aesthetics and the Visual
Urban Imagery”
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Media and the City, conference organized by ECREA Temporary Workshop Group, Università
Cattolica del Sacro Cuore, Milan, 10 February 2012
paper title: “Cinematic Architectures INSITU. Notes on the Participatory Construction of a
Visual Urban Imagery”
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PAESAGGIO 150. Sguardi sul paesaggio italiano tra conservazione, trasformazione e
progetto in 150 anni di storia, National conference, University of Reggio Calabria, 6 October
2011
paper title: “Sensitive City. Note per la costruzione di un paesaggio antropologico tra
identità e rappresentazione del territorio”
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Blurring Boundaries/Contested Geographies, 3rd NECS Graduates Workshop, Faculty of
Dramatic Arts – Belgrade, 30 September 2011
paper title: “Geo-cultural Displacements: Adrian Paci's Centro di permanenza
temporanea”
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IX MAGIS – International Film Studies Spring School, THE ARCHIVE. Memory, Cinema, Video
and the Image of the Present, University of Udine – Gorizia, 10 April 2011
paper title | section cinema and other arts: “Lupercyclopedia. Moving Image and Living
Archive”
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Cinéma et art Contemporain III, Paris, INHA, 7 July 2010
paper title: “Origins II. Cinematic Interpretations of Migration and Displacement - or, For
an Ecology of Origins”
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VIII MAGIS – International Film Studies Spring School, Cinema & Contemporary Visual Arts V.
Audiovisual Geographies, University of Udine – Gorizia, 20 March 2010
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paper title | section postmedia: “David Rockwell’s Hall of Fragments. Looking for Film’s
Genius as a Medium through Audiovisual Geographies”
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Cinéma et art Contemporain II, Paris, INHA, 6 July 2009
paper title: (Re-) designing tracks. A reflection on walking practice as trait-d-union
between art and new trends of contemporary cinema
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Cinéma et art Contemporain I, Paris, INHA, 25 April 2008
paper title: “To look, to wander: Cinema in Installations”
Publications
Monographic volumes
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Cinema e Postmedia. I territori del filmico nel contemporaneo, Postmedia Books, Milan 2013
(English translation under consideration).
Chapters in edited volumes
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Frammenti elettrici. Yervant Gianikian and Angela Ricci Lucchi’s cinematic embroidery, in G.
deCuir Jr (ed.), On fragmentation. Alternative Film/Video Research Forum, 2012-2013,
Student City Cultural Center, Belgrade 2014: 28-33 (English and Serbian translation).
Sensitive City. Note per la costruzione di un paesaggio antropologico tra identità e
rappresentazione del territorio, in A. Villari, M.A. Arena (eds.), PAESAGGIO 150. Sguardi sul
paesaggio italiano tra conservazione, trasformazione e progetto in 150 anni di storia, Aracne,
Rome 2013: 254-258.
Cinematic architectures INSITU: Notes on the participatory construction of a visual urban
imagery, in S. Tosoni, M. Tarantino, C. Giaccardi (eds.), Media & The City Urbanism,
Technology and Communication, Cambridge Scholar Publishing, Newcastle upon Tyne,
2013: 165-180.
Origins II. Cinematic Interpretations of Migration and Displacement - or, For an Ecology of
Origins, in C. D’Alonzo, K. Slock, Ph. Dubois (eds.), Cinéma, critique des images,
Campanotto, Udine 2012: 133-139.
(Re-) designing tracks. A reflection on walking practice as trait-d-union between art and new
trends of contemporary cinema, in Ph. Dubois, F. Monvoisin, E. Biserna (eds.), Extended
Cinema. Le cinéma gagne du terrain, Campanotto, Udine 2010: 36-45.
Peer-reviewed articles
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“Poetics and politics of the trace: Notes on surveillance practices through Harun Farocki’s
work”, in «NECSUS» Traces, (5) Spring 2014, available on line at http://www.necsusejms.org/poetics-politics-trace-notes-surveillance-practices-harun-farockis-work/
“Il tableau vivant come strategia dell’azione: I colori della passione di Majewski”, in «Fata
Morgana. Quadrimestrale di Cinema e Visioni», Azione, (23) 2014: 191-197.
“Crowd, Space and the Movie Theater Lure. Notes on Contemporary Off/Online Moviegoing”,
in «Cinergie. Il cinema e le altre arti», (4) November 2013, (with Chuck Tryon), available on line
at http://www.cinergie.it/?p=3180.
“Image, Space, and the Contemporary Filmic Experience”, in «Cinéma & Cie. International
Film Studies Journal», European TV Series!/Séries TV Européennes, A. Autelitano, V. Innocenti
(eds.), (19) Fall 2012: 119-130.
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“The Place of the Self. Autoethnographic Filmic Writings and Space”, in «Comunicazioni
Sociali», The Autoethnographical Impulse. Self-Reflexivity and Rootedness in the Age of
Intermediality, A. Cati, G. Franchin (eds.), Vita e Pensiero, Milano (3) 2012: 529-542.
“Oltre i media, oltre il visibile. Per una fondazione teorica e metodologica dei Postcinema
Studies”, in «Bianco e Nero»,Tendenze della ricerca sul cinema in Italia, (573) 2012: 48-59.
“Innovative persistenze. Ruolo e immaginario della sala al MAshRome Film Fest”, in «Cinergie.
Il cinema e le altre arti», (2) November 2012, available on line at
http://www.cinergie.it/?p=1454.
“Women without Men: Shirin Neshat e la spazializzazione del femminile”, in «Comunicazioni
Sociali», Il teatro al femminile: declinazioni e incroci di due differenze, L. Aimo, A. Frattali (eds.),
Vita e Pensiero, Milano (1) 2012: 152-169.
“Utopia dell’origine. Riflessioni su migrazione, dispersione, assenza e presenza”, in «Fata
Morgana. Quadrimestrale di Cinema e Visioni», Origine, (16) 2012: 217-222.
“I tesori dell’effimero. Wunderkammern, creazioni filmiche e il potere magico dell’immagineoggetto”, in «Comunicazioni Sociali», Media e Magia. Secolarizzazione dell'esperienza magica,
usi magici dei media, C. Giaccardi, S. Tosoni (eds.), Vita e Pensiero, Milano (3) 2011: 289-307
(with Alice Cati).
“La traccia tra sorveglianza, disseminazione, territorializzazione. Per una variazione sul tema”,
in «Comunicazioni Sociali», Lasciare tracce, essere tracciati, F. Casetti (ed.), Vita e Pensiero,
Milano (1) 2010: 48-61.
“The Filmic Experience: a Map”, in «Cinéma & Cie. International Film Studies Journal»
Relocation, (11) Fall 2008, F. Casetti (ed.), Carocci, Roma 2008: 65-66 (published as The
Light Brigade with F. Casetti et. ali.).
“To look, to wander: Cinema in Installations”, in «Cinéma & Cie. International Film Studies
Journal» Relocation, (11) Fall 2008, F. Casetti (ed.), Carocci, Roma 2008: 31-39.
Articles
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“Media-façade Innovation Strategies: Looking for new Aesthetics and Sustainability Drivers.
An Interview with Mirjam Struppek”, in «Screencity Journal», (1) January-April 2013, S.
Arcagni,
M.
De
Rosa,
K.
Gasparini
(eds.),
available
on
line
at
http://screencitylab.net/journal/issues/journal-1/15-media-façade-innovation-strategieslooking-for-new-aesthetics-and-sustainability-drivers-an-interview-with-mirjam-struppek.html
“Elusioni e rivelazioni. L’ombra come metafora e strategia visuale nella videoarte
contemporanea”, in «Elephant&Castle. Laboratorio dell’immaginario», (5) 2012, available on
line
at
http://cav.unibg.it/elephant_castle/web/saggi/elusioni-e-rivelazioni-l-ombra-comemetafora-e-strategia-visuale-nella-videoarte-contemporanea/84
“Lupercyclopedia. Moving Image and Living Archive”, in «Comunicazioni Sociali on line»,
Conferences 2010|11, (5) 2011, available online at http://www.vitaepensiero.it/schedafascicolo_contenitore_digital/autori-vari/comunicazioni-sociali-2011-csonline-5-conferencesdottorato-di-ricerca-in-culture-della-comunicazione-dipartimento-di-scienze-dellacomunicazione-e-dello-spettacolo-001200_2011_0012-225721.html
“David Rockwell’s Hall of Fragments. Looking for Film’s Genius as a Medium through
Audiovisual Geographies”, in «Comunicazioni Sociali on line», Conferences 2009, (3) 2010,
available online at http://www.comunicazionisocialionline.it/2010/3/6/.
“Forme dell’abitare. Pratiche di tracciabilità fra Mondo e Reale”, in «Comunicazioni Sociali on
line», Media e città, (1) 2009, available online at http://www.vitaepensiero.it/schedaarticolo_digital/miriam-de-rosa-glenda-franchin/forme-dellabitare-pratiche-di-tracciabilita-framondo-e-reale-001200_2009_0011_0002-155398.html (with Glenda Franchin).
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Reviews
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“Non Non Non – Visiting the exhibition with Yervant Gianikian and Angela Ricci Lucchi”,
exhibition review, in «NECSUS», Tangibility, (2) Autumn 2012, available on line at
http://www.necsus-ejms.org/non-non-non-visiting-the-exhibition-with-yervant-gianikian-andangela-ricci-lucchi/.
Dictionary entries
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Semiotica degli Oggetti, in D.E. Viganò (ed.), Dizionario della Comunicazione, Carocci, Rome
2009: 541-546.
Semiotica e Design, in D.E. Viganò (ed.), Dizionario della Comunicazione, Carocci, Rome
2009: 546-550.
Semiotica e Spazialità, in D.E. Viganò (ed.), Dizionario della Comunicazione, Carocci, Rome
2009: 573-578.
Forthcoming
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Peer-reviewed chapter in book – Lupercyclopedia. Notes on the archive in the age of live
cinema, in C.G. Saba, F. Federici, Cinema and Art as Archive: Form, Medium, Memory,
Mimesis, Milan: 2014.
Peer-reviewed article – Intermediality, media-archaeology, and the gallery. Notes on Yervant
Gianikian and Angela Ricci Lucchi’s video installations, in At the Borders of (Film) History.
Temporality, Archaeology, Theories, FILMFORUM 2014 proceedings, Forum, Udine 2015.
Review – Creative Energies, Creative Industries, conference review, in «Aniki. Portuguese
Journal of the Moving Image» Expanded Cinema, Susana Viegas (ed.), vol. 2 (1) 2015: 385392.
Review – América Latina 1960 – 2013, exhibition review, in «Cinéma & Cie. International Film
Studies Journal» Archives in human pain. Circulation, persistence, migration, (23) Fall 2014,
Vicente Sánchez-Biosca, Alice Cati (eds.), Carocci, Roma 2015.
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