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C ARA GA L L E R Y CONTENTS Page. 8 Foreward Page. 11 Sculpture Page. 37 Etching Page. 43 Biography IGOR MITORAJ Strength In Fragility Foreward “In Art the hand can never execute anything higher than the heart can imagine” Ralph Waldo Emerson Igor Mitoraj was born to a Polish mother and French father in the German town of Oederan. Surviving the bombing of Dresden, his family escaped to Poland where at age nineteen, he enrolled in the Academy of Fine Arts in Krakow and met his mentor, Tadeusz Kantor, avantgarde artist and theater director. In 1968 Mitoraj took Kantor’s advice to go abroad and enrolled in L’École Nationale Supérieure des Beaux-Arts in Paris. He encountered Latin American art on a fateful trip to Mexico and thereafter devoted himself to the plastic arts, using terracotta and bronze. Years later, following a trip to Carrara, he integrated the precious marble into his practice. the last decade including in 2004 at Trajan’s Market, Rome, Italy and 2011, Mitoraj at the Valley of the Temples, Archeological Museum of Sicily, Agrigento, Italy, with disembodied heads and limbless torsos (often punctured or splintered) that reiterate the artist’s overriding conviction, “The idea of beauty is ambiguous, a double edged sword that can easily hurt you, causing pain… My art is an example of this dichotomy: mesmerizing perfection attached to corrupted imperfection.” In 2014, he became the first contemporary artist to ever exhibit in Pisa, Italy at the Piazza del Miracoli, Sinopia Museum and Opera Primatial Pisana, concurrently. While still maintaining ties to Paris, Mitoraj set up a studio in 1983 in the town of Pietrasanta near Carrara, an area he treasured as much for its landscape as the quality of the stone - Italy was to become a fruitful source of inspiration. An invitation to be included in the prestigious, 42nd Venice Biennale proved important in furthering his already burgeoning reputation. Towards his latter years, Mitoraj divided his time between Poland, Italy and Paris - he was honored with several distinctions, such as the Vittorio de Sica prize in 2001. What fuels the fire of Mitoraj’s imagination: is it his ruined childhood or the trauma of the past? The artist has no need to exaggerate; etched in his memory lies the brutality of history, the pain of his veiled faces and flayed bodies, and therein lies his response - in the magnificent dignity of his bronzes, therein lies their strength. The artist transforms all that he touches… his figures seem lit by a divine light that illuminates their spirit, allowing them to transcend their bodies, entering the sublime. The statues never die they remain eternally faithful to the material in which they inhabit. Extremely varied in his projects, the artist completed the set and costume design for a production of Aida in Doha, Qatar in 2012. Each work in this exhibition has a unique soul of its own, a formidable and tangible, yet ethereal nature, meticulously wrought from the poetry inherent in the mark of the artist’s hand. His has had very important exhibitions over 9 SCULPTURE Eros Romano 1986 Bronze 36.5 x 21 x 13.5 in. (93 x 54 x 35 cm.) Ed. 4/8 14 15 “The most important thing is to find yourself, and also your own reflection, because the artist is a narcissist by nature. My mirror was the image of my father, the opaque reflection of my soul.” Le Mani 1982 Bronze 71 x 35.5 x 22.5 in. (180 x 83 x 57 cm.) Ed. 5/6 16 17 “When I was five or six, I was always out in the street, and subconciously, I was waiting... waiting to see my dad appear sooner or later... I had the impression that every man that I saw was he, that at any moment he would greet me and run towards me to hug me.” Sonno Pietrificato II 2009 Bronze 42.5 x 40.5 x 36.5 in. (108 x 103 x 93 cm.) Ed. 2/8 18 19 Centauro C.W. Dea Ferita 2000 Bronze 15 x 8 x 3.5 in. (38 x 20 x 8.5 cm.) Ed. 18/45 2005 Bronze 21.5 x 12.5 x 11 in. (55 x 32 x 28 cm.) Ed. III/IV 20 21 “When I feel the need to create, sculptures are given birth organically within me, and I become the instrument - in other words, the medium within which they obtain this shape, becomes reality.” Isis 2008 Bronze 35.5 x 18.5 x 12 in. (90 x 46.5 x 30 cm.) Ed. 1/8 22 23 Decurione Ercolano 2010 Bronze 13 x 6 x 5 in. (34 x 15 x 12.5 cm.) Ed. 33/45 2008 Bronze 19 x 10.5 x 6 in. (48 x 26.5 x 15.5 cm.) Ed. 2/8 24 25 “The bandaging symbolizes for me a sort of protection from a reality that [since my childhood] seemed hostile. It is a symbol of survival. At the same time it is a component of the Polish consciousness, a suffered consciousness, wounded and closed. It is the tangible expression of this consciousness.” Disco con Torso 1993 Bronze 54.5 in. (138 cm.) diameter Unique Ercolani IV 2008 Bronze 16 x 17.5 x 12 in. (41 x 44 x 30 cm.) Ed. 4/8 26 27 “...One night, a freezing night, I came back to Grojec with the last bus: the entire family, beside mum was intoxicated by carbon monoxide, they had almost completely lost their consciousness. If I had been late, it would have been a tragedy. That night, I was their guardian angel.” Ithaka 1991 Bronze 48.5 x 31.5 x 21.5 in. (123 x 80 x 55 cm.) Ed. I/III 28 “My sculptures are not born from studies and sketches. Rather they are born from emotions, from feelings, from the stream of memories, from dreamlike rhythms, the state of mind that occassionally possesses me. They rise from moments of melancholy, from the excess of anguish. They spring from the most evocative memories of the saddest passed events that are buried in the subconcious.” Luna Nera 2011 Bronze 34 x 22 x 22.5 in. (86.5 x 56 x 57 cm.) Ed. 5/8 30 31 “...during the bombardment of Dresda we were sleeping under bridges. Those were very dramatic moments... I remember that one day I touched a cast iron oven where some Russian soilders were cooking something and I burned my hands.” Quirinus 1987 Bronze 63 x 63 x 23.5 in. (160 x 160 x 60 cm.) E.A. II/II 32 33 Testa Di Ikaro Bendato Stella Pietrificata 1999 Bronze 25.5 x 18 x 16.5 in. (65 x 46 x 42 cm.) Ed. 6/8 2007 Bronze 27.5 x 20.5 x 11.5 in. (70 x 52 x 29 cm.) Ed. 1/8 34 35 ETCHING Alba Rossa 2014 Etching 27.5 x 39 in. (70 x 100 cm.) Cacciatore Blu Ikaro Blu 2001 Etching 39 x 27.5 in. (100 x 70 cm.) 2003 Etching 14 x 20 in. (35 x 50 cm.) 38 39 La Notte Blu Ikaro Nero 1998 Etching 27.5 x 39 in. (70 x 100 cm.) 1998 Etching 23.5 x 16 in. (60 x 40 cm.) 40 41 BIOGRAPHY Igor Mitoraj 2004 Sculptures: Cité Perdue, JGM Galerie - Paris, FR Igor Mitoraj. Sculptures Monumentales, Jardin des Tuileries - Paris, FR Mitoraj ai Mercati di Traiano, Mercati di Traiano - Rome, IT Zamek Królewski - Warsaw, PL 1944 - 2014 SELECTED SOLO EXHIBITIONS: 2015 Strength In Fragility, Cara Gallery - NY Omaggio a / An homage to Igor Mitoraj, Galleria d’Arte Contini - Venice, IT 2014 Angeli, Piazza Del Duomo - Pisa, IT 2003 Igor Mitoraj, International Center of Culture - Kracow, PL Museum Narodowe - Poznań, PL Igor Mitoraj, Galería Joan Gaspar - Madrid, SP 2002 Die Schönheit. Eine Zerbochene Utopie, Istitut Mathildenhöhe - Darmstadt, DE Igor Mitoraj, Museo d’Arte Moderna - Lugano, CH Igor Mitoraj, Galleria Tega - Milan, Italy JGM Galerie, Paris, FR Festival Puccini : Manon Lescaut - Torre del Lago, IT Galería Joan Gaspar - Barcelona, SP 2012 Memoriae, Villa Rufolo - Ravello (Sa), IT 2011 Igor Mitoraj, Valle dei templi di Agrigento - IT 2010 Mitoraj Monumental - Aix-en-Provence, FR Mitoraj Monumental - Abbaye de Silvacane, FR Porte en Bronze, Èglise de Confoux - Confoux, FR 2001 Igor Mitoraj, Nouvelle Mythologie, Musée Olympique - Lausanne, CH Die Galerie, Kaiserplatz - Frankfort am Main, DE 2009 Opera Festival: Aida, Giardino di Boboli - Florence, IT Porte des Anges, Matki Bozej Laskawej - Warsaw, PL Lux in Tenebris, Fabryka Trzciny - Warsaw, PL Bronzes Noirs, Galleria Flora Bigai - Pietrasanta, IT 2008 BiancoNero, Galleria d’Arte Contini - Venice, IT Fer, Palazzo dell’Abbondanza - Massa Marittima, IT Igor Mitoraj, Miriam Shiell Fine Art - Toronto, CA Arte en la Calle: Igor Mitoraj. El Mito Perdido, Paseo del Prado - Madrid, SP 2007 Arte en la Calle: Igor Mitoraj. El Mito Perdido, Rambla de Catalunya - Barcelona, SP Arte en la Calle: Igor Mitoraj. El Mito Perdido - Seville, SP Igor Mitoraj. Angeli ed Eroi, Loggiato San Bartolomeo - Palermo, IT Arte en la Calle: Igor Mitoraj. El Mito Perdido - San Sebastian, SP 2006 Arte en la Calle: Igor Mitoraj. El Mito Perdido - Granada, SP Arte en la Calle: Igor Mitoraj. El Mito Perdido - Palma de Mallorca, SP Festival Puccini: Tosca - Torre del Lago, IT Porte en Bronze, Santa Maria degli Angeli e dei Martiri - Rome, IT 2005 Igor Mitoraj. Sculture, Musei Civici Veneziani, Ca’ Pesaro - Venice, IT 44 2000 JGM Galerie - Paris, FR Mitoraj Miti Incrociati, Galleria d’Arte Contini - Venice, IT Igor Mitoraj, Plastiken und Zeichnungen, Mumm Akademie, Villa Hajo Rüter - Eltville, DE Igor Mitoraj, Plastiken und Zeichnungen, Kunstverein Bamberg, Villa Concordia - Bamberg, DE Recent Bronzes, Miriam Shiell Fine Art - Toronto, CA Mitoraj: Nostalgia del Mito - San Marino 1999 Igor Mitoraj. Dei ed Eroi, Palazzo Pitti, Museo Archeologico, Giardino di Boboli - Florence, IT Galería Joan Gaspar - Barcelona, SP Museo degli Uffizi - Florence, IT Zoumboulakis Galleries - Athens, GR 1998 Die Galerie, Opernplatz - Frankfort am Main, DE Mitoraj. Sculture, Galleria d’Arte Contini - Cortina d’Ampezzo, IT 1997 La Défense, KPMG - Paris, FR Igor Mitoraj. Raadselachtige Schoonheid, Museum Beelden aan Zee - Scheveningen, NL Mitoraj, Il giardino delle muse, Biblioteca di via Senato - Milan, IT Istituto Polacco - Rome, IT Mitoraj. Sculture, Galleria d’Arte Contini - Forte dei Marmi, IT Chiesa di Sant’Agostino, Piazza Duomo - Pietrasanta, IT 45 1996 Academy Gallery - Bath, UK Igor Mitoraj, Galleria d’Arte Contini - Prato, IT Marisa Del Rey Gallery - Palm Beach, FL 1988 Galería Lévy - Madrid, SP Galleria Valente, Artforum - Hamburg, DE 1995 Igor Mitoraj, Casa del Cordón - Burgos, SP Larmes Amères d’Aphrodite, Marisa Del Re Gallery - NY Park Ryu Sook Gallery - Seoul, KR Chiostro San Francesco, Galleria Medusa - Cesena, IT 1994 Time Machine, The British Museum - London, UK Galería Joan Gaspar - Barcelona, SP Muzeum Narodowe - Wrocław, PL Galerie Nationale - Łódź, PL Galería Lévy - Madrid, SP Sala Imagen - Sevilla, SP Museo de Navaja - Pamplona, SP Fundación Caja Vital Kutxa - Vitoria Gasteiz, SP 1987 Igor Mitoraj. Elegie per Roma, Galleria Due Ci - Rome, IT Palazzo Strozzi - Florence, IT Igor Mitoraj. Sculture 1987, Compagnia del Disegno - Milan, IT Stembock-Fermor Gallery - Ghent, BE 1986 Igor Mitoraj. Sculptures 1976-1986, Galerie La Hune - Paris, FR Galerie Pierre Huber - Geneva, CH Igor Mitoraj, Sculture, Castello dell’Iperatore - Prato, IT Galerie Stemmle-Adler - Heidelberg, DE 1985 Igor Mitoraj. Sculture, Museo di Castel Sant’Angelo - Rome, IT Igor Mitoraj. Sculture, Compagnia del Disegno - Milan, IT Galleria Tavolozza - Palermo, IT Maison de la Culture - Metz, FR 1993 JGM Galerie - Paris, FR Galeria Krdegarda - Warsaw, PL Galleria Forni - Bologna, IT Università de Cracovie - Kracow, PL Galerie Nazionale - Poznań, PL 1984 Galerie l’Orangerie - Cologne, DE Igor Mitoraj. Sculpturen, Zeichnungen, Galerie Lévy - Hamburg, DE Galleria Toninelli - Rome, IT 1992 The Economist Plaza - London, UK BSG Fine Art Gallery - London, UK Accademia Italiana - London, UK Igor Mitoraj, Yorkshire Sculpture Park, Leeds - Wakefield, UK ARCO/JGM Galerie - Madrid, SP 1991 Têtes, JGM Galerie - Paris, FR Igor Mitoraj, Castello Sforzesco - Milano, IT Thomas Tivelli Gallery - Aspen, CO The M&I Rayburn Foundation - NY 1983 Galerie Lévy - Paris, FR Galerie Artcurial - Fribourg, CH Galerie Cuppillard - Saint-Tropez, FR 1982 La Rocabella - Monte-Carlo, MC Kunst in Köln, Galerie Lévy - Cologne, DE 1981 Galerie Artcurial - Paris, France Kunst in Köln, Galerie Lévy - Cologne, DE 1990 Igor Mitoraj. Sculptures and Drawings, Santa Fe - NM Stembock-Fermor Gallery, Stockholm Art Fair - Stockholm, SW 1989 Igor Mitoraj, Galería Joan Gaspar - Barcelona, SP Igor Mitoraj. Sculptures 1989, New York Academy of Art - NY Mitoraj. Sculture e Disegni, Rocca Malatestiana - Cesena, IT 46 1980 Fondation Veranneman - Kruishoutem, BE Igor Mitoraj. Sculpturen, Galerie Lévy - Hambourg, DE Galerie G. Bach - Geneva, CH 1979 Galerie Cupillard - Grenoble, FR Galerie Bornand - Marseilles, FR Studio 40 - The Hague, NE 47 Published in conjunction with the exhibition Igor Mitoraj: Strength In Fragility All images courtesy of Argos Studio Citation: Costantini, Costanzo. L’Enigma Della Pietra: Conversazioni Con Igor Mitoraj. Roma: Il Cigno, 2004. Print. Copyright © 2015 by Cara Gallery. First Printing All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photographing, recording, or any information storage and retrieval systems, without permission in writing from publishers. Producer: Cara Gallery Editors: Marilyn Rosenberg, Irene Cassina, Marco Cassina & Akaash Mehta Designer: Ye Teng Printed and bound: Castelli Bolis Poligrafiche Spa - Cenate Sotto (BG), Italy